社会转型期我国家庭伦理变化及道德建设研究 在线下载 pdf mobi 2025 epub 电子版

路丙辉*的《社会转型期我国家庭伦理变化及道 德建设研究》依据“有了家庭伦理关系，才有了家庭 道德规范”的学理逻辑，全面系统地梳理和阐明家庭 伦理关系和道德观念的现实变化及其原因，在此基础 上提出转型期我国家庭道德建设的基本理路、途径、 原则和方法。其中，提出要将“善事父母”与“善待 自己”有机结合起来，创建民主、平等、合作的新型 家风等现代家庭伦理观念和道德主张，颇具新意，切 实可行，可资借鉴。

绪论

一、我国家庭伦理变化及道德建设研究的现实价值

二、传统家庭伦理及其现代嬗变的理论回眸

三、当代社会家庭伦理道德建设的理性反思

四、未来家庭伦理道德建设的理论构想

**章 社会转型期的中国家庭

**节 改革开放和社会转型

一、社会转型是改革开放的重要成果

二、我国社会转型的本质要求是社会的结构性变动

三、社会结构性变动带来的社会问题不容忽视

第二节 社会转型期的中国家庭

一、传统社会中的中国家庭

二、社会转型期的中国家庭

第三节 社会转型期中国家庭结构与功能的变化

一、社会转型期中国家庭结构的变化

二、社会转型期中国家庭功能的变化

第二章 社会转型期中国家庭伦理的变化

**节 婚姻伦理的变化

一、我国传统婚姻伦理

二、社会转型期婚姻伦理的变化

第二节 子女与父母伦理关系的变化

一、我国家庭子女与父母的传统伦理关系

二、子女与父母伦理关系的变化

第三节 其他家庭伦理的变化

一、传统兄弟伦理关系

二、传统兄弟伦理关系的变化

第四节 邻里伦理的变化

一、中国邻里关系的现代转变

二、中国传统邻里伦理

三、现代邻里伦理

第三章 社会转型期中国家庭道德观念的变化

**节 社会转型期家庭道德观念变化的社会动因

一、社会主义市场经济建设是推动家庭传统道德观念变化的根本动因

二、西方道德学说的传入是家庭传统道德观念变化的外因

三、家庭结构、家庭功能及家庭关系的相互作用从根本上挑战婚姻

伦理的现实基础，是传统家庭道德观念变化的内在动因

第二节 中国家庭传统道德观念述评

一、“善事父母”——“孝”之述评

二、“望子成龙”——“光宗耀祖”、“养儿防老”之述评

三、维护夫妻伦理的“夫妇有别”——“男尊女卑”之述评

四、敬重兄长和朋友——“悌”之述评

第三节 社会转型期家庭道德观念的变化及评判

一、社会转型期家庭道德观念变化的特点

二、社会转型期家庭道德观念变化及评判

第四章 社会转型期家庭道德建设的总体目标、基本任务和主要内容

**节 社会转型期家庭道德建设的总体目标 ，

一、家国同构的传统模式对家庭道德建设目标的影响

二、社会转型期家庭道德建设的总体目标

第二节 社会转型期家庭道德建设的基本任务

一、继承传统家庭道德建设的精华

二、总结和阐明转型期应有的家庭道德观念和行为准则

三、批评转型期滋生的不应有的家庭道德观念

第三节 社会转型期家庭道德建设的主要内容

一、善事父母

二、尊老爱幼

三、夫妻和睦

四、勤俭持家

五、团结邻里

第五章 社会转型期家庭道德建设的途径与方法

**节 社会转型期家庭道德建设的途径

一、政府指导和提倡是有效进行现代家庭道德建设的主要途径

二、群众性道德建设活动是加强现代家庭道德建设的重要途径

第二节 提高家庭道德教育质量是现代家庭道德建设的基本方法

一、改善家庭道德教育的环境

二、改善家庭道德教育的“教材”

三、提高“教师”素质

第三节 社会转型期家庭道德建设的社会理路与方法

一、优化家庭道德建设的社会环境

二、健全家庭道德建设的法律体系

三、建立家庭道德评价的社会一体化机制

四、发挥现代传媒的道德评价和教育功能

主要参考文献

路丙辉，安徽师范大学政治学院教授，硕士生导师，博士。全国师德标兵，中国敬业奉献好人，高校思想政治理论课教师2013年度影响力提名人物，安徽省**共产党员、**德育工作者、教育界十大新闻人物，安徽省高等教育振兴计划弘扬核心价值观名师工作室之“丙辉工作室”首席专家。长期从事高校思想政治理论课以及教师职业伦理学的教育教学和研究工作。先后获得十余项***和省部级奖项或荣誉，主持或参与***和省部级科研课题十多项，在《道德与文明》《齐鲁学刊》等学术刊物发表论文三十多篇。个人创办的网站一“中国辅导员网”年点击率达百万次，面向大学生的个人讲坛一“丙辉漫谈”已经举办两百多期，热爱教育事业、关爱学生成长的相关事迹先后被光明日报、中国教育报、中国青年报、人民网、新华网等国内多家重要媒体报道。

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• To be sensible Or To be sensitive

  作者：蒜子 发布时间：2013-11-10 13:29:42

  It is a truth universally acknowledged ,that anyone existing in the world will be caught in an ineluctable dilemma, where you hesitate in the face of sense and sensibility. Actually, whenever l meets such crossroads, l naturally think of Jane Austen, an outstanding writer of British, whose masterpieces partake of the aesthetic cross-currents ahead of her time. As she created Elinor and Marianne, she might have never regarded them prominent and imperishable. However, the characters of these two sisters have made a glorious impression on generations after generations; their ineffable mental world has become an inexhaustible resource to lead us from intersections.

  The story mainly concerns two sisters, Elinor and Marianne Dashwood. Along with their mother and younger sister Margaret, they are left impoverished after the death of their father, and the family is forced to move to a country cottage offered by a generous relative. Elinor privately forms an attachment to the gentle and courteous Edward Ferrars, unaware that he is already secretly engaged. After their move, Marianne meets Willoughby, a dashing young man who leads her into undisciplined behavior, so that she ignores the faithful but mature Colonel Brandon. The contrast between two sisters' characters is eventually resolved as both find out their Mr. Right and everlasting idyll.

  Elinor, the eldest daughter, whose advice is so effectual, possesses a strength of understanding, and coolness of judgment, which qualifies her, though only nineteen, to be very mature for her age. When her father died, she behaves really like a true woman, swallow tears inside, losing girlish temper, but carry on the burden of life and strive to rouse her mother to similar forbearance. Luckily she meets Edward, a sensible man with integrity and delicacy. But she still exerts her affection and stays imperturbable, though Marianne bursts forth with indignation:” Esteem him! Like him! Cold-hearted Elinor!” After their moving home, Marianne falls in love with Willoughby. Among all their surrounding acquaintance, Elinor is the only sightful person to impugn his integrity, and to doubt whether they have got engaged even when no one suspects it. After knowing Willoughby’s innermost ethos, she thinks it time and again, and overdoes comforting her pure sister. Subsequently life gives her another horrific pang — her admiring Edward has engaged secretly. It seems nothing can save her sinking heart now. Facing Lucy’s fake emotion, what should she do? Can she feel herself in danger of a hysterical fit or a swoon? Or can she insult Lucy because she is a fickle hypocrite who destroys her idyll? No, Elinor stays sensible. She forgives Lucy, Edward and anyone ever hurt her mind. Unlike Marianne, she never tells anyone about her broken heart, instead, she imparts great patience and elegance. No wonder she can’t hold herself back the moment she learns great changes from Edward, and burst into ceaseless tears of joy. After all, she is simply a woman, a sensible lady with sensitive emotion, a seraphic girl who appears strong but yearns for love and care inside.

  Marianne, sensitive and ill-concealed, can’t have any moderation. She is monstrously pretty, highbrow and ethereal: she is everything but prudent. As a girl of 17, she has potent enough sensibility to make sure “the more I know the world, the more I am convinced that I shall never see a man whom l can really love.” And many are the tears shed by her in her last adieus to their residence so much beloved. Ironically, after meeting Willoughby, she falls head over heels in love with him forthwith and they read, dance, even tour together. Such conduct makes them of course most exceedingly laughed at; but ridicule can not shame, and seems hardly to provoke them. With minutes ticking away, Marianne’s love affair grows torrid and incandescent but Willoughby’s is on the contrary. Having perceived him at a party, Marianne can’t help pronouncing his name in a tone of affection and instantly glinting her emotion in public. Being hurt by his inexcusable guilt, she is entirely lost in sobs but is so stubborn that she tries all means to make excuses for his inconstant affair. Eventually , poor Marianne , languid and low from the nature of her malady , and feeling herself universally ill , can no longer hope that tomorrow will find her recovered . Thanks to this putrid tendency, a sensitive Marianne sleeps forever, and lives a sensible female.

  Having finished reading the last word of Sense and Sensibility, I softly sigh in the darkness. After experiencing the narrow path zigzagging up the immutable love, both Elinor and Marianne find out Mr. Right whom they belong to. But which character should I choose? To be sensible or to be sensitive?

  I think Elinor ought to gain more understanding and sympathy. No matter in novel or in reality, Elinors actually suffer more burdens than Mariannes, as well as solitude. It’s impossible to read anything from their smooth appearance, thus we think their tough appearance means their tough spirits for granted. However, it turns out to be wrong when Elinor receives sudden proposing marriage from Edward and bursts into crying. At that time, Elinor is another Marianne, fragile and ingenuous. She badly needs love but never speaks it out. Perhaps it’s because she is the eldest sister in the family, she can’t count on any help from her sisters or mother. So when Marianne sheds for falling leaves, she has to pay attention to the cost of living. I always believe that under Elinor’s fortitude surface lives a beating heart. She only hides her passion for life and devotion to love, thus duty is the very thing she cares for. When hurt by love, she endures it alone, unlike Marianne yearning for everyone’s focus. When realized Lucy’s skullduggery, she still tolerates it for the sake of her Edward. Because of her sense, she has to sacrifice her passion and her unlimited girlhood.

  As for Marianne , she abhors all concealment where no real disgrace can attend unreserved ; and to aim at the restraint of sentiments which are not in themselves illaudable , appeared to her not merely an unnecessary effort , but a disgraceful subjection of reason to common-place and mistaken notions . In sacrificing general politeness to the enjoyment of undivided attention where her heart is engaged, and in slighting too easily the forms of worldly propriety, she displays a want of caution which Elinor can not approve. She , who has never much toleration for anything like impertinence , vulgarity , inferiority of parts , or even difference of taste from her spirits , to be pleased with the Miss Steeles . Such openness, such sincerity! Though substantially hating the dark side of morality, Marianne is condemned by such event and is nearly led to the grave. She innocently thinks she can live independently from the circumstance; actually she has been gradually changed by the circumstance. At the end of the story, Marianne submits to her sister’s sense as she firmly rejected initially, and accepts plain-featured Colonel Brandon. Does it mean she eventually grows up, or she is a victim of circumstance? Because of her sensibilities, she has to go through vicissitudes and abandon her romantic opinions towards life, and ultimately becomes intellectual, instead of falling a sacrifice to an irresistible passion as once fondly flattered herself with expecting.

  To be sensible or to be sensitive? The genius of Jane Austen lies in this thought-provoking ideology, one that reflects the wisdom of living. As Jane herself explained :”With strong affection it’s impossible , with calm ones it can have no merit “ , so no matter to be sensible or to be sensitive , we all have to sacrifice something . Maybe we will be forced to have a good head on your shoulders in this bitter process, maybe we will cultivate an air of sophistication, or maybe we lose our nature qualities to satisfy the society. But who knows? Probably our life should display a perfect fusion of sense and sensibility. That’s why I equally love Elinor and Marianne. They represent two sides of the personality, but both combine to a perfect morality. So it’s not necessary to argue whether sense is premier or not. I still remember a saying from William Butler Yeats:" In life courtesy and self-possession are the sensible impressions of the free mind, for both arise from never being swept away, whatever the emotion , into confusion or dullness?” Just like the novel undertoned, sense and sensibility are two sisters, they can’t live alone, but at most time, what we should do is more akin to empower our emotion than become emotionally involved.

  People at home and abroad always admire the way British behave. For example, when Princess Dianna met a car accident, Queen Elizabeth bravely held in her feelings and treated it calmly with dignity. To each individual, sense similarly plays the main role. Take a liberty to deliberate on how to adjust your impulsion instead of running in circles. Is what you do an engagement of your heart? Are you constantly reading and answering messages or checking on the latest stream of information? Are you always rushing through your schedule? Then be that vision. Value the sense. It’s a treasure and it’s available to us, always.

  In the end, by some freak of fate people extravagant or good-natured all have a happy ending. We don’t know whether the virtue will pay off while the wickedness will receive its revenge. However, it shows reality, that life is complicated full of unknown miseries. Jane Austen sets us a perfect balance between sense and sensibility, between moral duty and earthly pleasure, between obligation to the spirit and attention to the incredible beauty. As we think further and further , Margaret , the youngest sister in the family , has reached an age highly suitable for dancing and it’s not very ineligible for being supposed to have a lover . What a titanic choice will she make between sense and sensibility? Only your heart will tell.

• 杀手正传

  作者：莫心·彼岸香 发布时间：2011-06-07 19:06:19

  一直很喜欢刘墉的书 可能简单真切才是生活吧 因为是断断续续看完的 所以对最后的杀手老去印象比较深 尤其是关于“老”“死”的话题 懂的和真的面对真的有距离 简单也英雄 那张杀手面对窗外的照片 印象深刻~