Henri Cartier-Bresson 在线下载 pdf mobi 2025 epub 电子版

Henri Cartier-Bresson (1908-2004) studied painting before taking up photography in his early twenties. One of the founders of the photography agency Magnum (together with Robert Capa and others), he is best known for the skill with which he captured the most fleeting of scenes. This volume includes his photographs of France, Spain, America, India, Russia, Mexico, and pre-revolutionary China.It shows clearly how, for Cartier-Bresson, art is an expression of common humanity. 63 duotone illustrations.

About the series: The classic Photofile series brings together the best work of the world's greatest photographers in an attractive format and at a reasonable price. Handsome and collectible, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. Now back in print, the series was awarded the first annual prize for distinguished photographic books by the International Center of Photography.

The classic Photofile series brings together the best work of the world's greatest photographers in an attractive format and at a reasonable price. Handsome and collectible, the books are produced to the highest standards. Each volume contains some sixty reproductions printed in superb duotone, together with a critical introduction and a full bibliography.

There are some adjectives one hesitates to use: exceptional and unclassifiable are among them. Nonetheless, they apply to Nobuyoshi Araki, who has turned photography into the very essence of his existence. Prolific to an astonishing degree, he has spent over thirty years building up an "autobiophotography" that displays the fundamentals of his daily life without modesty or restraint. Fascinated by women and by the city—particularly Tokyo, which he documents in all its frenetic moods—he is the leader in a new school and the role model for a younger generation that goes beyond aesthetics to seek the truth in every moment. 79 illustrations in color and duotone.

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HENRI CARTIER-BRESSON (1908-2004) studied painting before taking up photography in his early twenties. One of the founders of the photography agency Magnum (together with Robert Capa and others), he is best known for the consummate skill with which he captured the most fleeting of scenes. This volume includes selections from his photographs of France, Spain, America, India, Russia, Mexico and pre-revolutionary China. Introduced by Michael Brenson, it shows clearly how, for Cartier-Breson, art is an expression of common humanity.

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书籍介绍

Henri Cartier-Bresson (1908-2004) studied painting before taking up photography in his early twenties. One of the founders of the photography agency Magnum (together with Robert Capa and others), he is best known for the skill with which he captured the most fleeting of scenes. This volume includes his photographs of France, Spain, America, India, Russia, Mexico, and pre-revolutionary China.It shows clearly how, for Cartier-Bresson, art is an expression of common humanity. 63 duotone illustrations.

About the series: The classic Photofile series brings together the best work of the world's greatest photographers in an attractive format and at a reasonable price. Handsome and collectible, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. Now back in print, the series was awarded the first annual prize for distinguished photographic books by the International Center of Photography.

The classic Photofile series brings together the best work of the world's greatest photographers in an attractive format and at a reasonable price. Handsome and collectible, the books are produced to the highest standards. Each volume contains some sixty reproductions printed in superb duotone, together with a critical introduction and a full bibliography.

There are some adjectives one hesitates to use: exceptional and unclassifiable are among them. Nonetheless, they apply to Nobuyoshi Araki, who has turned photography into the very essence of his existence. Prolific to an astonishing degree, he has spent over thirty years building up an "autobiophotography" that displays the fundamentals of his daily life without modesty or restraint. Fascinated by women and by the city—particularly Tokyo, which he documents in all its frenetic moods—he is the leader in a new school and the role model for a younger generation that goes beyond aesthetics to seek the truth in every moment. 79 illustrations in color and duotone.

• 作者：尾上✖威嚇 发布时间：2014-10-11 13:47:27

  和李虻更早的一本书内容恐怕差不多

• 作者： 发布时间：2021-06-17 20:52:14

  “Photography is to place head,heart and eye along the same line of sight. It is a way of life”H.C.B.

• 作者：深情的艾老师 发布时间：2022-08-17 05:33:34

  un moment decisif

• 作者：大栗暴 发布时间：2023-07-12 16:05:54

  构图精彩无比，但具体到国别去研究的时候反而看出朋友圈般的孱弱

• 作者：秉立 发布时间：2021-06-14 12:28:07

  图形

• 作者：宇木樹音 发布时间：2018-03-31 15:21:55

  Doomed. 2018/3/31

• 《我爱劳劳》读后感

  作者：树心台 发布时间：2020-05-10 20:05:37

  《我爱劳劳》读后感

  只是看简介会想象是不是那些外来女人在其他国度遇到很多苦难的故事，包括生活包括情感，有很强的冲击力，社会边缘人之类。但读完发现完全和想象的不同，你说不上她过的好，但也不能说她特别差，她有很多困难，但这些困难并不至于到不堪的程度，甚至她有时候可以选择a或b。

  劳劳是老挝的一种酒，非常烈性。遇到劳劳是无意中，后来喝下也不是有心之举，再后来经常想念，总是希望酒可以烈一些、再烈一些。

  这本书平静到我甚至没有理由去为任何一方辩解，人怎么会这么复杂，这么立体。书中一些语句非常有意思，印象深刻的是妻弟描述自己为什么喝酒那段，开始是因为逃避想喝，后来是因为想喝而不得不面对，很有趣。

  摘抄：

  1. P7 “他用眼睛骂我，也用眼睛打我。我很痛。昨天打了电视机，电视机晕倒了。”

  2. P10 她说，吵架是昨天夜里，今天我突然想起吵架的事，很生气，一生气就摔碎了老公喜欢的东西。

  （感觉这个行为很像我本人。）

  3. P79 只要有钱，不需要的东西也会变得需要。没有钱，必要的东西也变得不必要。

  4. P79 静下来一想，我又有点儿委屈。我没说谎，我以为姐夫都告诉她了，所以就不用说了。突然间回头想想，没有人故意欺骗，却有人上了当。

  5. P83 “我喝酒是因为什么都不想做，因为睡不着觉，因为委屈，因为什么都不愿想，可是渐渐成了习惯。三岁看到老，我第一次知道这句话是多么可怕。手段成了习惯，习惯成了日常，日常成了目的，后来干脆变成为了喝酒而振作，为了喝酒儿睡觉，为了喝酒而想起曾经受过的委屈。真正喝酒之后，感觉到的并不是满足，而是悲伤。”

  6. P110 他让她说话，并且安慰她说，你说出来别人才懂，你不说，谁能懂呢。就算想生气，也要先说出因为什么事，然后再生气。

  7. P164 她坐在长方形餐桌较短的那边，三个人形成了三角形。好像在哪儿见过这种结构，他又想不起来是哪里。后来他明白了，只要有三个人的时候，怎样都是这种三角形结构。

  （越是重要的时刻越是会产生一些奇怪的思考。）

• 《店长笨死了》，让我看懂了日本年轻人的生活有多卷

  作者：爱读书的贾同学 发布时间：2022-10-21 22:34:33

  日本早已跻身世界发达国家之列，根据2020年日本人口普查数据显示，日本接受过高中及以上教育的国民占比为85.9%，初中以下学历者仅占14.1%。日本家庭在子女教育上投入的时间和金钱可见一斑，然而子女到了工作年龄，却发现社会上根本没有那么多与学历相匹配工作岗位，很多高学历者不得不接受普通又简单的工作。

  日本作家早见和真在

  《店长笨死了》

  这本职场小说中，以轻松的口吻、流畅诙谐的文笔、独特的故事构思，描绘了日本一家书店店员的职场生活，及思想上的纠结、徘徊和挣扎，真实生动地刻画了日本年轻人的精神世界和生活状态。

  

  通过这本小说，我们可以看到日本年轻人那些被压抑的理想，以及现实生活与理想的强烈碰撞。书中有很多话，像瞄准人心的箭，比如：“我想将最难说出口的话一口气砸向最难说出口的对象，想让自己放松下来。”

  01.理想躲不开现实；幻想总被真实撞碎

  29岁的谷原京子在一家规模不大的书店里做店员，六年前她因为对书籍特别热爱，才应聘了书店店员的职位，这些年下来依旧是合同工，还没有转成正式员工。

  书店店员的薪水微薄，京子每个月支付完房租，再买一些喜欢的书，就要在饮食上特别节约才能坚持到下次领薪水的日子。这是29岁的京子每个月都要面对的经济状况。

  薪水微薄也就算了，毕竟可以与喜欢的书籍日日为伴，可是工作却没有想象中那么理想化。令人恼火的店长、盛气凌人出版社销售员、怪脾气的顾客，每一个都能成为压倒京子的稻草，她想辞职了。

  或许，真应该考虑换一份薪水高一些的工作，以及恋爱结婚。

  

  02.当我们走上高处，风景自会出现在眼下

  谷原京子是一个很有原则的人，她对于文学的执着和对自己内心的忠诚同样坚定。尽管她写好的辞职信在包里装了半年，可还是没有交给店长，哪怕是她敬爱的前辈对她说：“如果想辞职，那么辞职就好。特别是在我们那个年代，人们总是把坚持当做美德，可我认为任何人都应该努力靠自己选择生存方式。”

  谷原京子没有舍弃这份收入微薄的工作，她选择了坚持。京子的爸爸说：“既然有不满，就要先努力改变环境之后再抱怨。”

  可是努力改变环境之后，还需要抱怨吗？

  

  至少，书中的谷原京子在没有想过改变环境的阶段，大多数日子都是在纠结、抱怨、愤怒中度过的，然而当她的意识发生改变之后，生活竟然也奇迹般地出现了转机。

  谷原京子的同事曾经对她说：“

  我在你身边看着，一直觉得你太被动了。”

  这句话触动许多职场菜鸟的心，在职场中的我们，也曾抱怨公司、抱怨上级、抱怨顾客，总之，一切都是他们的不好。可是，我们是不是在被动地接受，而没有主动为自己做点什么呢？

  

  03.店长果真是个笨人

  那个令京子愤怒的店长，声称自己年轻时差点以音乐谋生，结果因为机缘未到，放弃了音乐，来到书店工作。可是，京子第一次听到店长的歌声时，对他严重的五音不全深感震惊。店长总是显得很笨拙，却又好像特别努力。

  上面压下来内部购买杂志的任务，店员们只购买达标数量的杂志，扔进家里的角落，就算完成任务了。而店长真的先自己买下来，然后再亲自去销售这些杂志，最后不仅完成目标任务50本，还额外多销售出150本。

  店长的成绩让店员们找不到发泄不满的出口，反倒心虚起来，觉得可能是自己不够努力。

  

  结语：年轻时生命力旺盛，精力充沛，是特别能做出成绩的年龄，但是有一个前提，就是要认清方向，坚持努力。如果沉浸在抱怨与蹉跎中，就可惜了那大好的光阴。有些道理，非得等到快要失去了才能悟透，非要等到错过了才能明白，却已经到了力不从心的年龄。

  初入职场，会遇到很多难题，很多不易，只有把心踏实下来，一座山一座山地翻越，才能见到骄阳美景。

  

  

  店长笨死了

  6.7

  [日] 早见和真 / 2022 / 四川文艺出版社

  《店长笨死了》，很轻松的一本职场小说，你不妨读一读。