少女进行时：人像摄影实战案例与后期 在线下载 pdf mobi 2025 epub 电子版

本书是一本人像摄影实战案例与后期指南，本书采用案例的形式，详细讲解在不同创作场地、不同光线、不同主题的条件下应该如何从准备、到拍摄、到后期，一步步完成一套完整的拍摄流程。  作者和模特樱桃喵走遍了不同城市，在不同场合下拍摄了15组少女风人像摄影案例，并配有现场场地分析以及拍摄花絮以供对比学习。每组案例都配有后期修图步骤，两者结合起来，让读者能直观地体验摄影师拍摄以及后期的全过程。

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书籍介绍

本书是一本人像摄影实战案例与后期指南，本书采用案例的形式，详细讲解在不同创作场地、不同光线、不同主题的条件下应该如何从准备、到拍摄、到后期，一步步完成一套完整的拍摄流程。  作者和模特樱桃喵走遍了不同城市，在不同场合下拍摄了15组少女风人像摄影案例，并配有现场场地分析以及拍摄花絮以供对比学习。每组案例都配有后期修图步骤，两者结合起来，让读者能直观地体验摄影师拍摄以及后期的全过程。

• 作者：Lucas 发布时间：2023-12-04 21:50:24

  甜腻，可就是架不住妹子们喜欢啊

• 作者：书生活 发布时间：2022-03-10 15:47:59

  少女风一不留神就会腻，但作者显然深谙此道。

• 作者：寒夜の冰鸦 发布时间：2023-03-11 11:01:21

  挺入门的、

• 作者：风榆瑾·刘 发布时间：2022-04-15 11:31:39

  很赞！后期很细致，理念很好。很有收获

• 作者：lqr021213 发布时间：2012-04-09 16:36:58

  出去旅游做功课用~

• 作者：Ector 发布时间：2023-03-15 18:50:05

  很有启发

• 图像采集者的纸上蒙太奇

  作者：小米=qdmimi 发布时间：2015-05-08 22:28:25

  小时候，跟着哥哥干过一件很丢人的事情。

  带着小刀，去图书馆或者书店翻那些买不起的画册。后来各种不同材质不同色彩的图片夹满了一本子，大多是诡奇怪异不明所以却隐隐透露着重要信息的东西。

  自己也不知道这是什么癖好，只觉得既然没法破译这些图像密码，索性让后来的窥视者对洞发呆去吧。

  《万物：创世》一到手，记忆复活，原来这世界上不止有两个偷图片的孩子，原来，那本早已找不到的本子里夹着的，真的是宇宙这个弃儿的兜裆布碎片。

  把现成的艺术品摹写图片与科普漫画夹杂在一起凑成大书，这算不上太有难度的事情，运用蒙太奇的手法在写实与象征性画面间不断切换也不怎么神秘，但调度这件事的作者的确需要同时具备中毒般的好奇心和广博的见识。比如再宏大的星体生成、地貌变迁落在纸上也没什么稀奇，但突然夹插进一组诸神行迹图像就不得不让人脑洞大开了。

  其实回想宇宙这一生……算了，回想已知的万物演进史、人类进化史和个人成长史，根本就是几册破碎的图片拼贴簿子，没有谁能够真正触摸到并不恒定存在的规律与规则，因为在欲念和怀疑产生的同时，万物已经异位。

  执著的作者延斯·哈德的玩法也许比经典解释多了几分“不正经”，却也少了几分执迷不悟的劲头。不过《万物·创世》只是开创了一种表现形式，尚未真正展示出专属于他的风格。后续两册如何，拭目以待。

  附：《万物·创世》的错误玩法

  原本以为可以开创一种“扫图式”图书方法，结果选取了几长有来头的插图拍摄、上传到搜索引擎的图片搜索框中后，得出的结果让人满头冷汗，艺术史上的重要图像被辩认成各种床架子、驴友帐篷甚至安全套，看来这个世界真的被人类污染得厉害啊……

• 摘录

  作者：喵巫 发布时间：2009-02-04 05:19:11

  Cities had always been places where to some extent the individual's origins could be hidden and in which personal qualities, rather than rank or wealth, were what counted...

  [...]huge industrial infernos where truly the stranger could [...] find a new identity in the anonymity of the surging crowds.

  The spatial structure of these great new cities intensified the individual's experience of mobility, both geographically and socially...

  Nietzsche spoke [...] of the fragmentation of identity caused by the 'tropical tempo' of modernity...

  [C]ostumes [...] no longer reflected a clear rank or status, but rather a socially defined time or day, or occasion, or an individual state of feeling.

  This is a world in which the necessities and rhythms of nature have been abolished: yet at the same time the man-made landscape comes to resemble a freak of nature, and to have a life of its own that takes it outside the control of human agency.

  [H]e can never leave, but only lose himself within its surging, turbulent eddies, ebbs, and flows.

  Before the development of buses, railroads, and trams in the nineteenth century, people had never bee in a position of having to look at one another for long minutes or even hours without speaking to one another.

  There was therefore an eroticism special to the nineteenth-century crowd...

  Frotteurism, exhibitionism, voyeurism are sexual aberrations that rejoice in the stealth and irresponsibility of the crowd.

  [T]he constant friction of self with a barrage of sensation and with other personalities generated [...] a more intense awareness of one's own subjectivity than the old uniform and unwavering rhythm of rural and provincial life. In the city the individual constantly interacts with others who are strangers, and survives by the manipulation of self.

  Life in the nineteenth century was more sharply than before divided between working hours, repaid in wages, and 'leisure' during which wages could be spent.

  Production bred consumption...

  [T]he capicalist city invented a fantasy world that was neither wholly a public nor quite a private realm: the department store.

  There was a revolution in shopping.

  The haggling and bargaining that was still widespread in France in the earlier half of the nineteenth century had not persisted to the same extent in England, but to enter a shop still implied a commitment to buy, stockes were limited, and of course there was nothing ready made. Yet already, shopping was a social event.

  In the 1830s and 1840s stores selly 'dry goods' (haberdashery, cloth, cloaks and trimmings) began to appear both in European capitals and in the eastern seaboard cities of North America. The Bon Marché, which has usually claimed the title of the first department store, opened as a small left-bank piece goods shop in 1852...

  Adornment ... which gathers the personality's ... radiance as if in a focal point, allows the mere having of the person to become a visible quality of its being.

  --Georg Simmel