管理类联考逻辑决胜1000题 在线下载 pdf mobi 2025 epub 电子版

管理类联考和经济类联考的逻辑部分要求考生在保证正确率的基础上快速解题，关键就在"正确率"、"快速"两词上，为此广大考生不得不选择"题海战术"。本书收录1000道精选习题，重视题目数量的同时，更重视题型质量，不仅给出详细的解题步骤，更注重阐述解题的思路，引导考生知其然，更要知其所以然。考生在复习中，常规题型要秒杀，难题技巧要活运用，在夯实基础之余，提高灵活运用解题技巧的能力。本书适合MBA、MPA、MPAcc等管理类联考考生，同时可作为其他管理类研究生入学考试复习用书。

逻辑模拟试卷（二） ···············································································································193

逻辑模拟试卷（三） ···············································································································201

逻辑模拟试卷（四） ···············································································································209

逻辑模拟试卷（五） ···············································································································217

逻辑模拟试卷（六） ···············································································································225

管理类联考逻辑决胜1000题·习题册

逻辑模拟试卷（七） ···············································································································233

逻辑模拟试卷（八） ···············································································································241

逻辑模拟试卷（九） ···············································································································249

逻辑模拟试卷（十） ···············································································································258

答案速查表 ······························································································································267

牛渤雄管理类和经济类专业硕士考试辅导专家

毕业于清华大学，长期从事相关考试数学及逻辑的教学和研究工作，对联考命题方向具有精湛的研究，多次命中考试真题。授课深入浅出，解题思路清晰、方法平实有效、语言风趣幽默。在培训辅导中深受学员赞誉，能够迅速提高学员应试能力。

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本书特色1. 题型全面，紧扣大纲，命题新颖，充分满足广大考生的学习要求；2. 题目由易到难，由分类到综合，循序渐进地帮助考生掌握考点；3. 习题后有详细的解析和总结，解题方法多样全面，帮助学生透彻分析每道题目；4. 习题完全契合命题规律和命题趋势，对考试题型和重要知识点有准确的预测。  

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前言

序言勤学巧练 铺平考研路无目标的努力，如同在黑暗中远征，我们学习的目标很明确——考研！为了在联考中得到高分，勤奋是必不可少的，一定要多做题；但技巧同样不可或缺，盲目练习反而可能误入歧途。正式考试中时间非常宝贵，如果能用巧妙的方法解决一些题目，则可以节省时间。联考的出题范围广泛，包括了中考题、高考题、竞赛题……如果靠考生个人搜集势必事倍功半。所以，优质、全面的复习资料可以使考生在考研路上步履轻盈，事半功倍。社科赛斯教育集团出品的专硕备考蓝宝书系列正是考研路上助您成功的基石。备考中，广大考生要根据自身特点有针对性地复习，学有余力的考生要适当拓展，可以挑战书中少量的偏题、难题，确保在考场上举重若轻；基础一般的考生则要夯实基础，重视基本题型，保证该得的分万无一失。以下，分科目向读者介绍一下备考中的注意事项。1. 关于数学首先，务必勤于总结，把好的技巧、经典的题型和解法记在心里。建议考生准备一个笔记本，专门用于整理笔记、收录心得。读完一本好书犹如看了一部精彩的电影，看电影时再激动再感人，复述时也会错过某些重点，更何况严谨的数学学习。俗话说“好记性也赶不上烂笔头”，各种技巧、模板的记录将是备考中宝贵的财富。【例】掷一枚均匀的硬币若干次，当正面向上的次数大于反面向上的次数时停止，则在4次之内停止的概率为A. 18 B. 38 C. 58 D. 316 E. 516这是2014年联考的真题，认真求解是有一点难度的。但如果注意到第1次停止（即第1次正面向上）的概率明显为12，所以本题的答案肯定大于12，则只能选C。【例】已知直线L是圆225xy =在点（1，2）处的切线，则L在y轴上的截距为A. 25 B. 23 C. 32 D. 52 E. 5此题也是2014年联考的真题，认真求解的话难度更高。但如果画出如下草图， 即使画的不是很标准，也可以看出，点B的纵坐标肯定比2大，但一定比5小，这样选项中只有D是可以选择的。321-2-1O123-1-2xyAB上述两题的技巧性如何呢？其实这只是社科赛斯名师团队针对专硕考试总结的各种解题技巧中的沧海一粟。其次，在练习中要多思考、多提问自己。有的时候一个题看懂了，那只是局限于此题，如果稍作变化，就又不会做了。这是因为没有做到举一反三、融会贯通，如果我们养成了善于思考、善于提问自己的习惯，日积月累之后就会将知识理解得非常透彻。例如，强化突破篇练习2.1.1第2题如下，如果将解题过程中的两个“思考”部分去掉，你是否会想到有这么两个很值得大家反思的问题。例1. 已知三个质数的倒数和为34951879，则这三个质数的和为A. 1879 B. 253 C. 262 D. 241 E. 284本题答案是D．【例】设三个质数为a,b,c，其倒数和可写成111abbccaabcabc =，则abc应是3495的倍数（思考：为什么这里不能直接得到3495abc=）．所以，存在某个正整数k使得349535233abckk=×=×××．这里，a,b,c为三个质数，左边是三个质数的乘积，右边多含有三个质数，则1k=，35233241abc = =．思考：本题将3495分解的时候，遇到233，是否要纠结于233是否能够继续分解成两个质数的乘积？后，要培养发散思维的能力，练习一题多解。不同的解题方法代表不同的思维角度！如果考生平时能多思考一种题型的多种解法，那么不仅能熟练掌握知识点和解题技巧，而且能确保在考场上快速找到适合自己的那种方法。例如，强化突破篇练习2.6.2第24题，此题我们用四种方法解答，考生可以先试试能想到几种方法。【例】如图，四边形ABCD是7×4的长方形，四边形DEFG是10×2的长方形，则ΔBCO与序 言 VΔEFO的面积之差为ADGBCOEFA. 3 B. 4 C. 5 D. 6 E. 7本题答案为A，详解见本书后文。2. 关于逻辑逻辑学已经成为现代社会科学发展的一个 重要学科，逻辑能力成为表现一个人的智慧、见识、思维和水平的重要标志。早在1982年，逻辑就被引入LSAT考试（Law School Admission Test，美国法学院入学考试），并逐渐被很多管理考试纳入必考科目。正是由于逻辑考试在判断考生逻辑能力的必要性，目前我国很多考试也引入了逻辑推理能力的测试，如MBA、MPAcc等管理类联考、GCT、国家公务员考试等。对于考生来说，能够既快又准地解答试卷中的题目是有难度的，这就要求考生在备考阶段，要精心准备、勤学巧练。首先，在备考中一定要重视题量的积累。逻辑考试题目看似千变万化，其实很多题目的内核是高度相似的。当有了一定的题量积累后，考场上就很可能遇到似曾相识的老题。【例1】为了估计当前人们对管理基本知识掌握的水平，《管理者》杂志在读者中开展了一次管理知识有奖问答活动。答卷评分后发现，60%的参加者对于管理基本知识掌握的水平很高，30%左右的参加者也表现出了一定的水平。《管理者》杂志因此得出结论，目前社会群众对于管理基本知识的掌握还是不错的。以下哪项如果为真，则能削弱以上结论？A. 管理基本知识的范围很广，仅凭一次答卷就得出结论未免过于草率。B. 掌握了管理基本知识与管理水平的真正提高还有相当的距离。C. 并非所有《管理者》的读者都参加了此次答卷活动，其可信度值得商榷。D. 从发行渠道看，《管理者》的读者主要是高学历者和实际的经营管理者。E. 并非所有人都那么认真。有少数人照抄了别人的答卷，还获了奖。【例2】《花与美》杂志受A市花鸟协会委托，就A市评选市花一事对杂志读者群进行了民意调查，结果60%以上的读者将荷花选为市花，于是编辑部宣布，A市大部分市民赞成将荷花定为市花。以下哪项如果属实，能削弱该编辑部的结论？A. 有些《花与美》的读者并不喜欢荷花。B. 《花与美》杂志的读者主要来自A市一部分收入较高的女性市民。C. 《花与美》杂志的有些读者并未在调查中发表意见。D. 市花评选的后决定权是A市政府而非花鸟协会。E. 《花与美》杂志的调查问卷将荷花放在十种候选花的首位。VI管理类联考逻辑决胜1000题•习题册上述两题分别为2001年和2010年联考真题，答案依次为D、B。毫无疑问，两题的考点几乎完全一样，只要之前练习过其中之一，另一题一定可以轻松做对。其次，要有精准的提炼能力。考生必须在尽可能短的时间内，摆脱烦琐细节和干扰文字，快速弄清题目的逻辑内涵，理清问题的逻辑思路，找到破解问题的方法。而这种要求，就需要考生能够通过本书的学习，将日常逻辑思维能力进行挖掘、引导与转化，通过训练提高对逻辑知识的理解、思维的运用。我们以2017年联考第27题为例。【例】任何结果都不可能凭空出现，它们的背后都是有原因的；任何背后有原因的事物均可以被人认识，而可以被人认识的事物都必然不是毫无规律的。根据以上陈述，以下哪项一定为假？A. 任何结果都可以被人认识。B. 任何结果的出现的背后都是有原因的。C. 有些结果的出现可能毫无规律。D. 那些可以被人认识的事物必然有规律。E. 人有可能认识所有事物。该题目中要求选择一个一定为假的选项，如果我们盲目地分析每个选项，则很难明确哪个一定为假。而当我们对历年真题的规律进行了学习之后，就会发现，这类题目其实是巧妙地考查了负命题的知识，仅仅需要一个公式就可以快速解决，答案为C。涉及负命题是每年必考的题目，在历史题目中多次重复出现，是备考重点之一。后，要充分利用经典教材，理顺解题思路。建议考生在做题时，不要先看答案，而是先根据自己对知识点的理解去解题，如果解答正确，则再结合本书的解释加深思维；如果选择错误，则详读例题的解释与提示，修正自己的解题思路。3. 关于写作专硕考试中的写作部分共两题，其一是论证有效性分析，其二是论说文。论证有效性分析考查的本质是批判性思维，即寻找材料中的论证缺陷。论证有效性分析的理论基础是逻辑，所以学习逻辑的过程其实也是在为论证有效性分析打基础，反过来，也可以在学习论证有效性分析的过程中去体会逻辑题的解题思路。需要注意的是，对于论证有效性分析的备考不应将模板和套路作为学习的重点，而应该理解每一个谬误的本质，做到反驳有力。而对于论说文，很多考生都存在一个误解，即认为论说文考查的是文采，其实不然，论说文考查的内容应当是：80%的理性思维 20%语言表达。在实际考试中，论说文的得分率并不高，大多数同学的失分不是因为不够努力，而是源于备考方向错误，常见的就是将重心放在了文采的渲染而忽视了理性的思维。所以在论说文备考的过程中，各位考生应注意以下事项。（1） 注意积累。论说文行文的过程中需要论据及理论支撑论点成立，为了在考场上快速行VII序 言文，平时应当注重积累。（2） 重视理性思维，避开论证缺陷。（3） 勤改精练，不要沉迷于量的满足感，而要追求文章质的提高。写完的文章一定要进行自评（可借助《MBA、MPAcc管理与经济类联考综合能力写作高分突破》一书中的写作评估卡及写作评分卡体系），在条件允许的情况下好找专业老师进行批改，并在修改后重新行文，形成精品作文。4. 社科赛斯蓝宝书系列图书和精品课程体系备考路上，既需要热血沸腾的冲劲，更需要科学合理的规划和坚持不懈的执行。正式考试一般在元旦前的周六，而之前一年的时间规划建议如表Ⅰ-1所示。表Ⅰ-1 时间规划建议表预热阶段基础阶段提高阶段强化阶段冲刺阶段时间5月之前5～7月初7～8月9～10月11～12月MBA词汇班基础班系统班精品班模考串讲班MPAcc基础周末班夏季集训营秋季集训营冬季营夏季周末班秋季周末班模考串讲班配套图书《考研英语（二）词汇速记手册》高分突破系列1000题系列1000题系列真题精讲系列6套卷系列冲刺系列独行快，众行远。备考路上，一套好书可以让你走上康庄大道，而名师团队的辅导可以让你全程无忧。若在读书的同时希望得到名师指点或者与考友共同进步，可以通过拨打400-606-2866进行全国免费咨询，或者扫描下方二维码联系社科赛斯教育集团。社科赛斯教育集团官方微信二维码由于时间仓促，本书难免有疏漏之处，若对有任何意见和建议，可以通过邮箱2810570471@qq.com与笔者联系。祝广大考生金榜题名！

• 作者：丁白 发布时间：2023-02-07 13:00:52

  主要是算法思路+代码实现（和Github差不多 可以作为工具书）…主要是最近发现，类似模拟退火/粒子群的优化算法可以用于ABM模型的匹配

• 作者：会飞戴球帽的鱼 发布时间：2020-04-22 16:36:54

  出版社太无耻，拿删减版说是全译本……

• 作者：skapple 发布时间：2012-05-27 00:31:38

  课本.......

• 作者：竹清浅 发布时间：2022-05-13 23:02:58

  信息量极为丰富

• 作者：蓝风清扬 发布时间：2023-11-12 09:13:29

  名词多，可用的不多。

• 作者：蔡乐鲔 发布时间：2022-03-03 21:09:08

  风景刀就是iPad呀，那时候的创意真不错。

• 互补着的猛虎和蔷薇

  作者：困打个盹儿 发布时间：2018-01-08 11:39:52

  记忆，如若能开花，我想余先生的记忆便能开出一满满花园。重重叠叠的复瓣花朵，在余先生的记忆的文字中一瓣瓣地绽开了。清香扑鼻，让你忍不住想起那时青青时光。

  一篇篇的有心文章，将一个爱生活、爱思考的诗人生活跃然纸上，让人忍不住怀念那份美好。最受感触的是那篇猛虎与蔷薇。它娓娓的道出那份简单而被人遗忘的一个道理。

  “我心里有猛虎在细嗅蔷薇。”此话出自英国当代诗人西格夫里.萨松（Siegfried Sasson）。余先生认为这行诗是象征派的代表，原因在于它具体而又微妙地表现出许多哲学家所无法说清的话；它表现出人性里两种相对的本质，但同时更表现出那两种相对的本质的调和。猛虎象征着人性的一方面，蔷薇象征人性的另一面，而“细嗅”刚刚象征着两者的关系，两者的调和与统一。

  原来人性本就包含两面：其一是男性，其一是女性的。随着年龄的增长，社会有了一定的定义。男生如果表现的女性化，则被人称为“娘娘腔”；例如他喜欢芭比娃娃，那将被人笑话，这种行为不是太被允许且被他人接受的；而女生如果表现的男性化，则被人称为“男人婆”。不知从何时起，有了这么些强硬而呆笨的称呼。想在儿童时代，小男孩是喜欢跳舞，喜欢粉色芭比娃娃，他可以很柔美，甚至他做的卡哇伊的动作，大人不会有异感的，而是觉得软萌软萌。为何大了却要抹杀掉每个人心里住着的小男生和小女生。男性和女性，并不是相互对立，不是非要个你死我活的状态的，它是相互调和，两者成分在每个人心里的比例不同而已。由此，才创造出这么多不同却相互吸引的人。

  在人性的国度里，只有它心里的那只猛虎能够发自内心充分地欣赏那朵蔷薇，而占据心里另一方的那朵蔷薇能够真诚地尊敬那只猛虎，那此人便能达到不同于偏袒其中任何一方的境界。他是刚亦柔；他是水亦是石；他能成瀑布亦能成静流；他能微笑也能痛哭；他坚强却能柔软；他能感受到那份大要，也能深深体会那份细节。

  唯有每人心中都有猛虎和蔷薇的存在之处，你才能更感恩于这世间，允许自己生而为人，而不是单一设定。如此，方能感受人的乐趣。

• Heroes and Vagrants--subjectivity in Ernest Hemingway’s the Sun Also Rises

  作者：DorothyKills 发布时间：2014-02-10 22:10:18

  Heroes and Vagrants

  --subjectivity in Ernest Hemingway’s the Sun Also Rises

    ‘You are all a lost generation.’ It’s almost unverifiable under what circumstances Gertrude Stein said these words to Hemingway. But these words ended up on the inside of the front cover of the latter’s 1926 novel, which along with F. Scott Fitzgerald’s contemporary works sculpted the perception of post first world war generation. These works, though later prestigiously recognized and had bestowed upon both art history and social studies, actually came into being through such a rebellious fashion. That Gertrude must have said the pungent comment in a less than indifferent tone, as if the decadency is self-explanatory.

  And the writer chose to depict his defense in an almost paralleled way. He vitally molded the character of Jake Barnes and framed the story within Jake’s angle of vision. And Jake’s narration was arranged in a deliberate manner, that throughout he’s attempt to camouflage the story to be an impersonal one, his indifference and decadency itself had become the element through which the disillusion was made possible for the reader, to peep beneath sea level and get a glimpse of ‘the iceberg’.

    The mannerism of writing ‘rationally’ traces back to Hemingway’s early experience in journalism. He omits meticulous writing of emotions, avoiding any attempt of luring a reader into pure empathy and the addressing of historical background were considered to be excessive. It was mentioned, but muted. In Hemingway’s own words the abyss of ignorance ‘strengthens the story’ , and that wound deep enough to become the common life tolls with silence. But in this book the rationality of the narrator should be read separately from the rationality the author subscribes to, though they do share a common faith in the strength of such a technique. Hemingway designates Jake Barnes to narrate in a tone that while objective enough for the reader to grasp characters and their stories, still leaves the story-teller’s subjectivity legible. And it is through such an arrangement that unyielding voices from ‘the lost generation’ conveys.

  1 Lady Brett Ashley, ‘everybody’s sick’

    The protagonists in the Sun Also Rises are vagrants and therefore heroes and heroine. Despite the differences of their gender, race or personality a shared trauma shapes their lives as the predominant factor. ‘That bloody war’. Those who endeavored to pinpoint the character’s complex, diagnosing Brett Ashley with ‘a personality disorder’ , may have forgotten the unrealistic nature of the text. Readers are staring through the goggle that is Jake Barnes and therefore literal interpretations should be considered unreliable. ‘Brett was damned good-looking.’ Lady Ashley seems to never fail in capturing the heart of her male companions. But the key to such success is solely based on her choice of only reacting to those who is falling for her, while distancing herself from her true love, Jake Barnes. ‘What’s the matter? You sick? Everybody’s sick. I’m sick, too.’ ‘It makes one feel rather good deciding not to be a bitch.’

  Brett and Jake are extreme contraries in a sense while Jake’s disability prisons him from any possibility of romance, Brett the social beauty seems to be receiving all the chivalry the world has to offer. However, their love equates them. Brett lives under the destiny that she shall never be together with the one she truly loves, that there is no happy ending in this life for her, and the pain of such cruel truth may only be mitigated by alcohol and hedonism. Such desperation replicates Jake’s. On the other hand Jake has to tell the story of his loved one’s betrayal in a tone that grief and self-pity was hard to be traced, and such a coolness comes form an understanding that War the Witch curses and no matter disabled (Jake) or very able (Brett), generation are doomed to the same decadent fate, though in various forms.

  2 Robert Cohn, ‘don’t be silly’

    Incapability appears in both the inadequate man, and also the very adequate. Jake started his story with a recollection of Robert Cohn’s early life. The Jewish man is blessed with a fortunate family, the talent of writing and physical ability competent to be a boxing champion, or to beat up rivals in love within one swing of fist. Yet his vulnerability lies within his shyness, the racial discrimination against him, an inferiority complex that was manipulated by Frances, and very much like Jake, a desperate passion for Brett. Jake relate very much to the passiveness that the two of them shares, while disdaining Robert’s impulses of emotions that lead to traveling, fighting for Brett, or overall, taking a control over his own life. ‘Don’t be silly’, repeats Jake when turning down Robert’s many spontaneous invitations. He (Jake) speaks with contempt when speaks of him (Robert), yet he cannot help but speak of him. Jake has surrendered to act silent and numb toward his own feelings and hurts, while the telling of Robert Cohn’s story alludes to and rekindles them. They are rivals in romance, however, since the inevitable failure shadows both of them, hostility was replaced by sarcasm. Jake does not have to speak ill of Robert. He shows absolute unconcern when he fails and exits the story. The intrusion of the ‘silly’ and rigid was over and Jake maintained his apathetic manner of endurance.

  3 Jake Barnes, ‘all a lost generation’

    The Sun Also Rises is the story of Robert Cohn, Brett Ashley or even Romero but after all it is the story of Jake Barnes. He is the damaged, the disenchanted youth, the cynic amongst all self-chosen exiles and has given up to feel belong. Yet his heroism lies in this very vagrant act of life. As the victim he comprehends the poison of war years, and his tolerance evolves to become such an indifference that is his wisdom of bearing with life. War keeps haunting him. It haunts him on the verge of physical attachment, as he observes Brett’s playfulness leading her nowhere and neither he nor she is able to ‘do any thing about it’. The fiesta can be read as an allegory about the war. Jake tells about the meaningless violence, how riots are thrilled and promising at first and how it ended up being long and deathful. And during the chaos he observes. He looks at his love once again draws away from him, himself who does not intend to strike out is defeated, and the ones who challenge fate, Robert Cohn, the matadors, rises and fails to prove the era’s tragedy. A tragedy that is concentrated into his eyes and sight of seeing. He ends up being alone as this does not surprise him. He ends up missing Paris but does not determine to go back, and he has been through such nostalgia like this. What happens is that he does not fight. Over or not the war is he does not fight any more. And as the pages turn over this will always be his story.

    One’s subjectivity is one’s heroism. Jake is the one writing the story down and the implication screams to the audience louder than any fictitious character can. Jake Barnes, a veteran deprived of dreams chooses to tell us his love story. He looks at his vagrant life without any evasion, and asks for no empathy. He starts and ends the storytelling with another episode of ‘Jake and Brett in the taxi’, and such episodes repeat and he knows the routine and the ending. They would feel close and they would talk. They would imagine impossible happiness drunk and in the dark, being taken somewhere, and only to be alienated. They would know how momentary yet still tries to enjoy. And the sun also rises. Days continue with the dark night that tolerate them to share each other’s companion for just a minute, and the dark memories that linger and haunt them in their sleep. And the sun also rises.