家事法研究 在线下载 pdf mobi 2025 epub 电子版

《家事法研究(2012年卷)》特设《继承法修改专题》专栏，同时没有《专题研究》、《实务研究》、《青年论坛》、《域外法》、《学术会议综述》栏目。刊载的论文，既有专业领域知名专家学者潜心研究多年的力作，又有青年才俊刻苦钻研而有所发现或有所创见之佳作。法律专业问题的论述，深入浅出，立场观点之释明，审慎而清晰；对同一问题的认识，既有从不同层面研究而归结于相同结论的，又有持不同意见而针锋相对辩驳的，视野开阔，精彩纷呈。书中的这些讨论不仅有益，而且有趣，可读性强。

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书籍介绍

《家事法研究(2012年卷)》特设《继承法修改专题》专栏，同时没有《专题研究》、《实务研究》、《青年论坛》、《域外法》、《学术会议综述》栏目。刊载的论文，既有专业领域知名专家学者潜心研究多年的力作，又有青年才俊刻苦钻研而有所发现或有所创见之佳作。法律专业问题的论述，深入浅出，立场观点之释明，审慎而清晰；对同一问题的认识，既有从不同层面研究而归结于相同结论的，又有持不同意见而针锋相对辩驳的，视野开阔，精彩纷呈。书中的这些讨论不仅有益，而且有趣，可读性强。

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  杨腓力真的是太好的领路者了

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  伊坂怎么还陷在大阴谋论里出不来了，这个故事和金色梦乡有差不多的设定，但基调完全不一样，凡人真的成为了英雄，这样一来凡人就不可爱了呀。在往返仙台的飞机上看完，虽然没去御釜，但伊坂笔下很多场景都串了起来，连迎面走来的人都可能是黑泽、青柳，这点真的很奇妙。

• 作者：Mythos 发布时间：2021-03-14 21:19:13

  学拟题

• 作者：沙漠高处有人哭 发布时间：2022-10-27 14:47:08

  非常棒的一本书。从服饰、美术的角度对初唐的洞窟艺术做了一个分析。里面有大量的临摹复原的人物形象，算是开创了另一种临摹方式，其实可以称得上一种再创造了。emmmm，唯一不能接受的是，明明可以出英文和中文两个版本，但非要合在一起，所以书特别厚，定价也就水涨船高了。

• 作者：废人王亮 发布时间：2020-08-07 14:51:22

  写法让人昏昏欲睡

• 作者：维城乱马 发布时间：2013-07-12 12:21:11

  建筑门外汉如我也读得津津有味。很想像大师一样来一趟世界建筑巡礼之旅，去法国看柯布西耶，去西班牙看高迪，去美国看弗兰克·盖里，去意大利看古罗马……

• 一本书告诉你啥叫大数据

  作者：进击的辉哥 发布时间：2017-09-24 11:07:50

  这本书通过通俗易懂的语言、丰富的案例告诉读者什么是大数据和我们现在所身处的大数据时代对生活的影响。这本书比较适合初涉大数据的读者阅读，对大数据已有一定了解的读者来说，这本书估计并没有很大作用了。随着网络技术的发展，数据的重要性越来越突出，我们通过网络的所有操作、所有习性等，都可以通过数据的形式进行保留，并被数据管理者分析，也许数据的管理者将比你自己更加了解你自己，这就是数据的力量。

• Shakespeare Sonnet 18

  作者：久美子 发布时间：2009-08-30 10:30:31

  Shakespeare sonnet 18 begins the thematic group in which the speaker/poet muses on his writing talent, often addressing his Muse, his ability, and even his poems.

  First Quatrain – “Shall I compare thee to a summer’s day”

  In the first quatrain, the speaker muses about comparing the poem to a day in summer; then he begins to do just that. In comparison to a summer’s day, the poem is deemed “more lovely and more temperate.” The qualification of more “lovely,” at this point, seems to be just the speaker’s opinion, but to prove the poem more temperate, he explains, “Rough winds do shake the darling buds of May”: the “rough winds” that blow the young buds of flowers about is certainly not mild or temperate. And also summer just does not last very long; it has “all too short a date.”

  The poem, when compared to a summer’s day, is better; its beauty and mildness do not end as summer along with its “summer’s day” does. The reader wonder why the speaker, just after claiming his intention of comparing the poem to a “summer’s day,” then first compares it to a spring day—“the darling buds of May.”

  Even before summer begins, the May flowers are being tossed about by intemperate breezes; therefore, it stands to reason that if the prelude to summer has its difficulties, one can expect summer have its own unique problems that the poem, of course, will lack.

  Second Quatrain – “Sometime too hot the eye of heaven shines”

  In the second quatrain, the speaker continues elucidating his complaints that diminish summer’s value in this comparison: sometimes the sunshine makes the temperature too hot: “Sometime too hot the eye of heaven shines.” The sun often hides behind clouds, “often is his gold complexion dimm’d.” The reader can realize the implications here: that these inconvenient qualities do no plague the poem.

  Then the speaker makes a generalization that everything in nature including the seasons—and he has chosen the best season, after all; he did not advantage his argument by comparing the poem to a winter day—and even people degenerates with time, either by happenstance or by processes the human mind does not comprehend or simply by the unstoppable course of nature: "And every fair from fair sometime declines, / By chance, or nature’s changing course untrimm’d.”

  So far, the speaker has mused that he shall compare the poem to a summer day, and the summer day is losing: even before summer begins, the winds of May are often brutal to the young flowers; summer never lasts long; sometimes the sun is too hot and sometimes it hides behind clouds, and besides everything—even the good things—in nature diminishes in time.

  Third Quatrain – “But thy eternal summer shall not fade”

  In the third quatrain, the speaker declares the advantages that the poem has over the summer day: that unlike the summer day, the poem shall remain eternally; its summer will not end as the natural summer day must. Nor will the poem lose its beauty, and even death cannot claim the poem, because it will exist “in eternal lines” that the poet will continue to write, “When in eternal lines to time thou grow’st.”

  The Couplet – “This gives life to thee”

  The couplet—“So long as men can breathe, or eyes can see, / So long lives this, and this gives life to thee”— claims that as long as someone is alive to read it, the poem will have life.

  Read more:

  http://poetry.suite101.com/article.cfm/shakespeare_sonnet_18#ixzz0Pd5vEQeg