Van Gogh 在线下载 pdf mobi 2025 epub 电子版

"This man will either go insane or leave us all far behind," prophesied the great Impressionist Camille Pissarro. The man was Vincent van Gogh (1853-1890), a vicar's son born at Groot-Zundert near Breda in Holland, who at that time was struggling to find buyers for his paintings. Van Gogh did indeed go at least to the brink of insanity. And he has long been recognised as one of the greatest modern artists.Van Gogh, who followed a variety of professions before becoming an artist, was a solitary, despairing and self-destructive man his whole life long. His truest friend was his brother Theo, who supported him unstintingly throughout and followed him to the grave just six months later.This richly illustrated study by two experts on van Gogh follows the artist from the early gloom-laden paintings in which he captured the misery of peasants and workers in his home parts, through the bright and colourful paintings he did in Paris, to the work of his final years under a southern sun in Arles, where he at last found the light that produced the unmistakable van Gogh style.At Arles, Saint-Remy and Auvers-sur-Oise, in the feverish burst of creative energy that marked the last two and a half years of his life, he produced the 463 paintings on which his immortality rests. Van Gogh craved recognition during his lifetime but was denied it till after his self-inflicted death. Today he is universally seen as one of the great forerunners of 20th century painting, and one of the tragic masters of art.

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Text: English (translation)

Original Language: German --This text refers to an out of print or unavailable edition of this title.

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His paintings are notable for their immediacy,their sensuous impact.They draw their powerfrom the painter's affectionate openness towards all things,towardsMan and Nature.Still,the pleasure that he takes in a veritablynaive identification with the world is continually overshadowed byprofound eschatological intuitions,by apprehensions of transienceand death.The hand that reaches out tenderly is retracted at the lastmoment because it has too often been hurt.There can be no doubt that van Gogh learnt from experience;indeed,his life precludedhim taking a straight and simple course.Yet van Gogh naturallyremained a child of his age.He grew up in a century when peoplefor the first time saw their own existence as everything,with

no transcendental support system-a century that produced many odd...

His art's ability to touch the hem of the Eternal was not the result of any determination to fit romantic images of the Artist;rather,it derived from a profound and genuine longing for the sheltered security of religious faith.He painted his works for the sake of that moment when,through devotion to the tiniest detail,the artist experiences asense of total order:the very small and the omnipotently vast could only be grasped from one and the same standpoint.

书籍介绍

"This man will either go insane or leave us all far behind," prophesied the great Impressionist Camille Pissarro. The man was Vincent van Gogh (1853-1890), a vicar's son born at Groot-Zundert near Breda in Holland, who at that time was struggling to find buyers for his paintings. Van Gogh did indeed go at least to the brink of insanity. And he has long been recognised as one of the greatest modern artists.Van Gogh, who followed a variety of professions before becoming an artist, was a solitary, despairing and self-destructive man his whole life long. His truest friend was his brother Theo, who supported him unstintingly throughout and followed him to the grave just six months later.This richly illustrated study by two experts on van Gogh follows the artist from the early gloom-laden paintings in which he captured the misery of peasants and workers in his home parts, through the bright and colourful paintings he did in Paris, to the work of his final years under a southern sun in Arles, where he at last found the light that produced the unmistakable van Gogh style.At Arles, Saint-Remy and Auvers-sur-Oise, in the feverish burst of creative energy that marked the last two and a half years of his life, he produced the 463 paintings on which his immortality rests. Van Gogh craved recognition during his lifetime but was denied it till after his self-inflicted death. Today he is universally seen as one of the great forerunners of 20th century painting, and one of the tragic masters of art.

• 作者：Alohakone 发布时间：2016-03-10 15:44:22

  Yet one option still remains.

• 作者：苦月亮 发布时间：2017-09-06 20:03:27

  挚爱梵高。

  如果一个人没有马，那他自己就是他的马。

• 作者：玉米yù mǐ 发布时间：2010-10-01 09:14:24

  激动！！！非神经失常不能为也！！！

• 作者：疤痕姑娘。 发布时间：2012-10-26 18:12:32

  其实只要是创作者，作品的风格都与身处的环境有太大的关系，喜欢梵高后期明朗的作品，然而明朗作品之后他的死亡来的如此快而猛烈。

• 作者：可以吸的美丽 发布时间：2013-04-09 11:20:22

  手上有两本梵高的书，另外一本找不着条目

• 作者：巴特 发布时间：2021-02-23 12:26:00

  将文本的脉络放到了历史脉络里，而不是过多纠结文本本身，读完超出预期，可以入门也可以进阶。唯一的遗憾是简史，很多内容只能一带而过。

• 超出意外之惊喜

  作者：行空 发布时间：2018-07-24 13:55:20

  其实刚开始购买这本书，主要是冲着大而全，除了素描草稿基本上全部收录。刚开始阅读时并没有觉得怎样，毕竟价格在这，图片质量只能说中规中矩，对于原本是奔着看画来的我来说难免有一丝失望。但是读下去之后却发现这本书的意义远不止画作全集与编年这么简单，文字描述部分竟然如此下功夫，实在超出我的意外，甚至可以说是这部画册最大的亮点。

  个人以为梵高前后期画作最明显的变化一是从朴拙的写实发展到意象与心境的有机融合。二是色彩，荷兰的画作大部分都是阴沉的色调，稚拙的笔触加上现实题材，更像是外在的革命。而法国时期的则是阳光与个人生命的交融，乃至绚烂的燃烧。终于理解梵高为何要去南法寻找光线。

  ‘The Japanese has thought the problem of light to be of fairly secondary importance, while the Impressionists subordinated everything to it. Van Gogh harmonized their concepts by distinguishing between light which came from outside and sources of light inherent in things. All his energy went into creative work that concentrated on the latter.’

  个人觉得这是目前读过的有关梵高画作之论述中最为精确的。

  作品编年也是这部书的一个重头戏，虽然是建立在前人研究基础上，不能算作原创，但是毕竟第一次以如此亲民的价格分享给大众。中国古代画作一个研究难点在于编年。因为画家地位低下，元代以前署名都成问题，传记资料也是凤毛麟角，大型壁画处于民间画工集体创作更是难以探究背后的创作个体，恐怕只有明清时期的文人画家能够稍占研究之优势。反观欧洲绘画，文艺复兴以前画作多反映宗教主题，按图索骥有本可依。而文艺复兴以降，随着个人情绪与现世生活成为主题，画家资料相比之国内又很可观，尤其是十八九世纪间甚至可以写出详实的编年传记。马蒂斯毕加索以来甚至画家已经主动用影像记录自己创作过程，故而给研究带来极大的便利。

  ‘You may possibly realize that your article would have been juster and to my way of thinking more persuasive if in your discussion of the future of painting and of color you had dealt with Gauguin and Monticelli before referring to myself. For I assure you that the share I have or may have will remain negligible in future, too.’

  这是梵高在1890年致信感谢对他的作品给予好评的批评家Aurier时说的话，读到这段不禁泪目。此时已经是梵高与高更分道扬镳或者说被高更单方面无情抛弃之后，但是从这段话里依然能够看到梵高纯粹的艺术追求与稚子之心。艺术对于即将走向生命终点的梵高来说，始终是终极信仰之所在。

  倒数第二章，关于梵高自杀原因的阐释我认为是全书最见功夫也是最为动人的一章。梵高对于艺术追求的纯粹的心，以及作为一个人的善良，结合其艺术天才与超乎常人的努力……十年的创作生涯虽然在临终之前只是看到了成名的曙光，但是对于梵高来说，或许成名唯一的重要性在于能补偿弟弟一家，就像那幅送给侄子的杏花树一样。至于他的画作，我想百年后的今天他依然是全世界最受欢迎的画家，每一颗热爱梵高画作的心都会在夜晚发出微弱的光芒，与化作星辰的他遥相呼应。

• 英文英文

  作者：Mavis 发布时间：2011-08-16 17:51:20

  作为一本进口图书 除了英文还是英文

  怀着对文森特的喜爱 认真的做英文笔记。。。顺便提高英语水平

  图片不是很大的那种图书 几乎每页都穿插了文字

  介绍梵高的生平，因为大开本，图片的大小也够看的

  唯一让我遗憾的是

  最喜欢的《星夜》没有横过来印刷在书上，不够Big~~

  好吧~也许是我不精致~~~是我的问题~~~~~~~~~~~