苏州寺院名胜 在线下载 pdf mobi 2025 epub 电子版

苏州北依长江，西滨太湖，风物清嘉，人文荟萃，是吴文化的发祥地。存恢宏博大的吴文化宝库中，苏州佛教文化以其超凡脱俗的韵味和庄严古雅的丰姿为世人所瞩目。早在三国吴赤乌年间，大乘佛教传人苏州。千年斗转星移，古城沧桑几度，保存至今的十余所古刹，历史上曾分别是禅、净、律、天台等宗派的道场。 《苏州寺院名胜》收录了苏州市一百六十多座现今开放的寺院，是一本集佛教文化、历史文化、民俗文化、建筑文化、文物古迹等于一体的重要读本。本书的出版，对于宣传党的宗教信仰自由政策，弘扬中华传统文化，了解苏州悠久的历史文化和佛教建筑，让世人全面认知苏州，具有重要意义。

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苏州北依长江，西滨太湖，风物清嘉，人文荟萃，是吴文化的发祥地。存恢宏博大的吴文化宝库中，苏州佛教文化以其超凡脱俗的韵味和庄严古雅的丰姿为世人所瞩目。早在三国吴赤乌年间，大乘佛教传人苏州。千年斗转星移，古城沧桑几度，保存至今的十余所古刹，历史上曾分别是禅、净、律、天台等宗派的道场。 《苏州寺院名胜》收录了苏州市一百六十多座现今开放的寺院，是一本集佛教文化、历史文化、民俗文化、建筑文化、文物古迹等于一体的重要读本。本书的出版，对于宣传党的宗教信仰自由政策，弘扬中华传统文化，了解苏州悠久的历史文化和佛教建筑，让世人全面认知苏州，具有重要意义。

• 作者：ˊ_>ˋ 发布时间：2023-10-05 15:17:56

  5/24/B/04/03

• 作者：粟冰箱 发布时间：2017-05-26 14:29:44

  一本颗粒感很强的小说，像旷野里吹来含沙的、苍凉的风。

• 作者：chaim 发布时间：2015-11-23 01:04:30

  十年前要是能看到这本书，或许会对自己有更深入的认识，也不必纠结痛苦这么多年。总感觉自己跟周围的人格格不入，情感冷漠，敏感，内向，害羞，害怕大声讲话，讨厌被人指挥，不喜欢小孩，讨厌吵架，讨厌冲突，不喜欢突发事件，焦虑，强迫症，完美主义倾向，防御性强…现在看来，这些都是家庭带来的。至于怎么修复，目前无解。书中一句话：儿童不是由父母培养大的，不是父母交给他们如何成长，而是儿童自己从父母那里“捕捉”了成长所需的东西。希望有过家庭创伤的人都可以看看这本书，或许可以帮你弄明白你为何成为现在的你。马上要为人父母的建议也多读读，育儿必备。

• 作者：1568 发布时间：2016-02-02 17:20:11

  拿着新版lp 去找书店，发现一城两家，关一家，倒闭一家，哎～世道炎凉

• 作者：笛舞 发布时间：2023-07-11 17:13:28

  英国的那本不错，又买了俄罗斯这本，非常的异域风情，风格完全不同，我喜欢白雪皑皑的密林，月亮从湖中心升起，开着各色小花的乡野，萨夫拉索夫的画有一种悲凉的韵味，没发现喜欢的，库因吉的配色很好，希什金的画太仿真了，总体来说感觉没有英国那本好，但也不错。

• 作者：S2c4u3l6lM 发布时间：2022-03-31 15:47:07

  几乎全部是抄的《苏州市志》、《苏州佛教寺院志》等苏州各区、县、县级市、镇的地方志，一个字没改的抄上了。

• 不要用膜拜的心态去读

  作者：之江 发布时间：2012-06-18 21:36:14

  彼得·德鲁克国内是被吹为神一样的存在，就像当初的麦肯锡一样被捧为灵丹妙药，却忘记了麦肯锡的创始人是死在西尔斯总裁位置上的。在多年前的福建实达案中，实达的老板说抨击麦肯锡：他们从不下场，光评论自然是永远对的；麦肯锡对此以不能评论客户为由拒绝回应。彼得·德鲁克甚至没有听说他作过咨询，更远离河边了。

  这本书序言部分十分豪华：但也只有席酉民和包政的有点新意，其他有些是门徒粉丝的吹捧，有些是以先知的口吻在吹嘘自己。

  本书主要的内容是定义高管的职能和公司的管制机构即董事会。可笑的是：打开当今大企业的董事会名录，这些原则几乎都被违反： 退休高管不应该加入董事会有也业务往来的公司高管不应该加入董事会。但政治粉饰性的却贯彻的很好，如有女性，少数民族，社会贤达；在汇丰银行这家著名的内部人控制机构，董事会组成差不多可以平移到大英帝国上议院。这些都证实了彼得·德鲁克的一个结论：高管不希望有一个强有力的董事会。可怜的彼得·德鲁克，你教育西方商业界一辈子，他们还是把你的话当成耳边风！

  书中举了很多AMC(美国汽车公司)的例子，在我看来，这并不是什么规模问题，而是没有抓住主要矛盾问题，所以在与三大汽车公司对抗（死因），中即使开辟了产品革命也无法改变屡屡失败的命运，同期德国大众以竞争避免就在美国市场成功壮大。

  《蓝血十杰》 中，那些自命不凡的早期MBA认为管理的原则放之四海皆准，没有公司是过大的，没有行业是不能兼并的，所以产生了一些巨大的联合公司。当大众被蛊惑时，股市的疯狂支持他们的兼并，当理性恢复后，这些公司分崩离析。

  本书讨论了规模的问题，实际上很多推理是常识，为什么没能那些总裁无视行政费用的膨胀来扩展，这一点，巴菲特 分析的很好，他的公司虽然市值巨大，但一种松散的控股架构，更没有帝王一般的总部。

  很多傲慢的总裁会犯的错误，实际用常识就可以看清，这不是旁观者清而是无欲则清。本书也有很多类似的立场问题，很多家族企业没有长大都归结为没有请职业经理人，国内似乎也有很多因为权利交给职业经理人而更快倒掉的例子，大师的分析是否太武断了？！

  有点疑问：这本书是彼得·德鲁克自己写的，还是有门徒整理而成的？书中企业例子都是到70年代为止，对于公司高层来说，外部生态已经有很多变化了，事例还有多大意义？

  http://blog.sina.com.cn/s/blog_5385acc20100zmpb.html

• A young man climbs through ‘The Line of Beauty’

  作者：琼林 发布时间：2008-06-25 12:20:12

  ‘It is to be observed, that straight lines vary only in length, and therefore are least ornamental. That curved lines as they can be varied in their degrees of curvature as well as in their lengths, begin on that account to be ornamental. That straight and curv’d lines join’d, being a compound line, vary more than curves alone, and so become somewhat more ornamental. That the waving line, or line of beauty, varying still more, being composed of two curves contrasted, becomes still more ornamental and pleasing, insomuch that the hand takes a lively movement in making it with pen or pencil.’

  ---Hogarth, The analysis of Beauty (1753)

  The line of beauty in Alan Hollinghurst’s The Line of Beauty refers to the male arse and Hogarth's Ogee arch. Well, ‘The Line of Beauty’ is a gay literature and the Booker Prize winner novel.

  Nick Guest, the protagonist, a new Oxford graduate is living with the Fadden family as a guest in 80s. Meanwhile he is starting a relationship with a black man Leo. This is the first part of the story which Alan Hollinghurst called it ‘The Love-Chord’. It is an age of innocence. Nick meets Leo through a personal ad in newspaper. They immediately have sex in the Notting Hill garden. Nick also has a secret crash on the Fadden boy Toby, who was undoubtly STRAIGHT. Without surprise, under the theory of the line of beauty, he is direct but rather dull.

  The second part comes as ‘To Whom Do You Beautifully Belong?’ when Nick established a risky relationship with Wani after Leo’s leave. Wani becomes Nick’s lover as well as patron, who is an extremely beautiful, but corrupted wealthy Oxford lad. While it was English, there is always class. It seems that class structure does not disappeared from the contemporary novels, though class distinctions had themselves vanished (had it? It is claimed that modern Britain is a state of middle class. This is probably true, however, under and upper classes continue their existences.) While comparing with the similar theme of Jelinek’s The Piano Teacher, Zoë Heller’s Notes on a Scandal obviously takes great account on the class distinction of her characters.

  Nick, like Alan Hollinghurst himself comes from a middle class family, is a sensitive, aesthete young man. From Fedden’s Notting Hill House to Lord Kessler (Rachel’s brother)’s country estate, he is easily attached to the world with plausible painting, furniture, décor. It is reminiscent of Evelyn Waugh’s Brideshead Revisited: When a middle class boy comes across an upper class family.

  Nick’s encounter with Lord Kessler in the later’s library almost gives me an impression（or fascination）of a romantic attachment between the two. However, nothing beyond a little chat on Henry James and Trollope. An adventured young boy comes along with an experienced old man, isn’t it platonic! Well, the author has already taken it in his first novel ‘The Swimming Pool Library’.

  The last part of the story is ‘The End of the Street’. Wani is dying of AIDs. Nick is lucky to be negative. His climbing within the prestige circle finally ends up after he was thrown out from the Fedden family. Nick drifted as his surrounding drifted. But he can still see the beauty of the lines.

  …

  Beauty, midnight, vision dies:

  Let the winds of dawn that blow

  Softly round your dreaming head

  Such a day of welcome show

  Eye and knocking heart may bless,

  Find our mortal world enough;

  Nons of dryness find you fed

  By the involuntary power,

  Nights of insult let you pass

  Watched by every human love

  -- Lullaby by W.H.Auden

  The story ends while Nick is standing in the corner of the street after leaving the Notting Hill house. The tune of the long story is slow but smooth. The divided three parts compound a tip-over ‘U’ curved story line. In the first part Nick is climbing to the top of the world with the rising gradient, then the curves changes direction in part three while Nick falls down to the earth through the falling gradient. This is Hogarth’s ‘line of beauty’. Alan Hollinghurst’s The Line of Beauty’ is also aesthetic and intelligent.