2022年考研神器中医综合速记填空本：中医基础理论·考研神器中医综合速记填空本系列图书 在线下载 pdf mobi 2025 epub 电子版

考研中医综合覆盖六门学科，包括中基、中诊、中药、方剂、中内、针灸，题型是160道选择题，知识面广泛，是非分明，考生基本没有临场发挥的余地，全凭考前知识的积累与掌握。试题既考查对固定知识的掌握，又考查你对问题灵活运用的程度，复习起来难度大力。特别是其中中药学、方剂学与针灸学等学科，其学科特点要求学习者记忆大量内容，素有“针药剂，真要记”的说法。对于参加中医考研的考生以及在广大中医药专业在校学生来说，记忆问题是令人望而生畏却又不得不跨越的难关。好记性不如烂笔头，本书以手写助记、填空自测为主要特色，综合小开本、歌诀助记、讲课视频等多种助记形式，帮助考生专门解决记忆问题，所谓“填空都不怕，选择那算啥”，相信本书能在考研类图书的竞争中占有一席之地。

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考研中医综合覆盖六门学科，包括中基、中诊、中药、方剂、中内、针灸，题型是160道选择题，知识面广泛，是非分明，考生基本没有临场发挥的余地，全凭考前知识的积累与掌握。试题既考查对固定知识的掌握，又考查你对问题灵活运用的程度，复习起来难度大力。特别是其中中药学、方剂学与针灸学等学科，其学科特点要求学习者记忆大量内容，素有“针药剂，真要记”的说法。对于参加中医考研的考生以及在广大中医药专业在校学生来说，记忆问题是令人望而生畏却又不得不跨越的难关。好记性不如烂笔头，本书以手写助记、填空自测为主要特色，综合小开本、歌诀助记、讲课视频等多种助记形式，帮助考生专门解决记忆问题，所谓“填空都不怕，选择那算啥”，相信本书能在考研类图书的竞争中占有一席之地。

• 作者：韧勉 发布时间：2022-02-20 10:27:01

  刘国忠师指出本书是在《当代中国简帛学研究1949-2009》的基础上修订，并新增了2010-2019近十年的简帛学研究成果，全书将简帛文献分类为木简、简牍、帛书三类，每一类先述文献品种，再述整理保存技术分析，最后再谈专题研究。每一种文献论述倾向于结论直给，或主要观点概述的模式，是目前市面所见最新最全了解建国以来简帛学学术史的通论性著作。

• 作者：福本墩儿 发布时间：2013-09-19 23:15:36

  太他妈厚了

• 作者：苏菲马文 发布时间：2020-03-18 20:38:37

  建议成年读者放下自己学过的历史，再读一遍这本书，你会发现这本书自有其清晰的脉络、前后呼应的细节，从驯兽到骑马、从耶稣降生到宗教战争、从中世纪修道院到市民学校、从纺织到蒸汽机、从航海到铺设海底电缆，人类每走一步，都带着过去的印迹。这本书不仅打动人心，也提供了生动易记的知识。这是我第一次读完一本人类简史 ^_^

• 作者：无敌小飞猴er 发布时间：2011-01-30 09:25:19

  用照片记录真实的土耳其，整版大幅照片，犹如身临其境。着实满足了我这个憧憬土耳其的穷光蛋YY的心理需求……我喜欢~耶~~~~~~~~~嘿嘿嘿~

• 作者：晨起喝豆浆 发布时间：2016-12-03 15:48:49

  阿里阿多。

• 作者：skywalker 发布时间：2022-05-19 15:15:46

  早上把友谊版的《猎人笔记》读完了。纸张不太好，偏黄，晚上灯光下昏昏欲睡，觉得更适合早上读。带着露水的文字。喜欢《县里的大夫》、《别任草地》和《枯萎了的女人》，都是和死亡有点关系的，但是不悲伤。上海还在疫情中。

• 畸恋一场感官之爱～

  作者：大红灯笼高高挂 发布时间：2020-02-11 12:04:19

  2020年读书打卡第24本

  ——《爱丽丝旅馆》小川洋子【日】

• 一小段作者关于本书的访谈

  作者：拉玛诞 发布时间：2019-07-03 15:46:39

  前段时间听广播时听到了作者Olga做客BBC 3 一档节目的访谈，正好是关于本书的，于是就把它听写了下来，给想了解本书创作背景及作者想法的朋友们看看。

  Olga说，这本书主要写得是愤怒，以及那些相关的情绪，我在这本书前半部分的阅读中并没有体会到什么愤怒的情绪，只体会到悲凉，无助和落寞，直到后半本作者慢慢揭开真相，我才慢慢意识到，原来前半本所表现的所有感情，都是愤怒过后的产物。

  本书从一开头就告诉我们，女主人公Janina年迈，体弱多病，在我接触过的文学作品中，以年老的女性为主角的作品并不多，书中另一大类主角则是动物们，狐狸，鹿，野兔...它们和女主人公一样，都是生活中被普通人忽视的角色，老妇人的所作所为都被视为疯癫的，不可理喻的，更何况是真正voiceless的动物。沉默的、总被忽略和压迫的人们或是动物的反抗，也是作者想要表达的一点。本书的德语版书名是Der Gesang der Fledermause，英文翻译过来是The Song of Bats，蝙蝠之歌，众所周知，蝙蝠也是沉默无声的动物，就像女主角一样，因为年龄和社会地位，她的声音总是无法被聆听。作者在访谈中也提到波兰的社会和政治现实，与几十年前相比，现在的波兰对不持有主流观点的人们更加宽容了，她也希望能用自己的作品改变更多人的态度。

  以下是访谈内容：

  Q: It has a mystery start, but I wonder what came up first? You desire to write a detective novel, or desire to give life to the fantastically eccentric and passionate female character?

  A: I was always involved with the animal rights movement, that was the first time. And from the beginning, I knew it would be the subject of this novel, and I was really aware that there’s a lack of older women as the main character in our Polish literature and the worldwide literature. And for me, as a woman in middle-age, let’s say, sometimes it’s very visible that you have to identify with the male characters, and that’s the second point, and let’s do a detective story.

  Q: She’s eccentric, and she lives in a remote hamlet out in the countryside in Poland, she follows astrology very carefully. She somewhat takes a lot of positions that most people don’t consider mainstream. But of course, rather like William Blake from whom you take in the title, she doesn’t think of herself eccentric, she thinks of herself as mainstream and others eccentric.

  A: I tried to build a character which in a way pure, innocent. This is a book about anger, so she’s in a very painful position because the word the way she’s living is not moral anymore…

  Q: There’s a quote from Blake at the beginning of your first chapter, it says:” The tiger….” That seems to sum up the mentality she’s bringing to the story.

  A: Yeah, this is a book about anger, and what we can do with anger. Anger is always the result of frustration when you feel hopeless and weak. What the honest citizenship of a contemporary country can do in the situation when everything and law we live under is not moral anymore.

  Q: And she’s frustrated by that. What does she have to be angry about?

  A: The German title of this book is The Song of The Bats.

  Q: Bats, the flying animals.

  A: Yeah, because they don’t have a voice honestly, we cannot hear them, (very high pitched voice), yeah, but in the way for us, they don’t have a voice, we would say. And Duszejko is kind of, such a representation of voiceless people, who were marginalised because of ages, poverty and live in the province somewhere. Of course, the weakest in this chain is animal.

  Q: But that voicelessness has changed over time. I’m wondering what it means to be voicelessness in Poland today because I guess for a generation of us westerners who live through the cold war, 30 or 50 years ago in your childhood, we thought of the voicelessness in Poland as being Catholics or trade unionists or people like solidarity or others who were repressed by the government, that kind of people who would turn up in films by Andrzej Wajda or Krzysztof Zanussi. That’s not the Poland of today, so how’s voicelessness changed in contemporary Poland?

  A: Yeah, you know the best platform for voiceless people is politics of course. You just go to politics and try to act, not just stand by. But I think we’re now living in a different situation, the most voiceless creature on the earth today is animal. And I’m really convinced that our awareness of the environment, nature and us living outside of nature and without any touch to nature, and living in a dirty, bad environment. So those are very political and big problems, and of course, those problems are very close connected with those problems we used to treat as political, I mean, poverty, lack of democracy, lack of speech freedom…

  Q: In a sense, perhaps the people who are more voiceless have changed in Polish politics because all the Catholicism are always part of Poland even under communism. Now, of course, if complete free to operate, and it’s fair to say that one of the most unpleasant characters in the novel is a priest. Why do you feel there’s a need to produce this very unsympathetic character of a priest?

  A: This character was built on big research I took every single his sentence from the internet.

  Q: Things the real priest has said? (yes) And when he’s talking about the hunting, particularly hunting animals. How much do you think it’s great to have hunted in nature?

  A: Because the Catholic Church is very important in Poland, as you said. It’s also supporting very strongly this patriarchal in a way allochronic philosophy of human being. So the word of nature is observant of the culture of the church and the civilisation of human being. And there’s also very patriarchal in the terms that women are rather voiceless, and this entire system supports much the political situation in Poland. And I have to say that it’s also a prove the literature, the art can really change our mind. There’s a case of the very famous movie which is now screening in Poland; the title is The Clergy, and this is a movie about the hypocritical priest, the shocking and grimming moment is Poland, and we are just before an election, so I think such a movie can really change the result of the election. So it always makes me strong when I know that art can really change something.

  Q: And what do you say about the politics in Poland today, are you specifically talking about the current law & justice government or do you mean the political system more broadly?

  A: No, I mean the law & justice party and those ideas that are coming back to nationalism that close the door, keep a distance from the EU, those ideas, in my opinion, are very dangerous.

  Q: Do you think Poland should have any kind of nationalist identity because it’s a country has changed its geography over time, disappeared in 18 century, reappeared in 1918, disappeared in 1940, came back in 1945. It’s understandable that people with that history should have some sort of hunger for nationhood, isn’t it?

  A: Yes, Polish culture is strong because we use our culture as a very strong quality of our identity, but it doesn’t mean that nationalism in 19-century addition should be a contemporary way of thinking. I do believe in such identity which has so many levels so that you can be Polish, and you can be European at the same time, it’s nothing.

  Q: Someone I know who is populist said to me the problem of Poland today is there’s what he calls as Polska A, and Polska B. A Polander is looking for a cosmopolitan Poland in the world and wonder as you said there’s more about the folk culture, and Poland A and Poland B no longer trust each other. You agree with that assessment. Is there a way to cross that boundary for Poland?

  A: In my opinion, this is the result of the law & justice government.

  Q: But surely political parties reflects something in the society, people wouldn’t vote for them.

  A: No, I think nowadays, parties can create reality, they have a media. They use media in a very clever, sinic way. And I don’t know what we can do to destroy the gap between us and I do believe that democracy has the self-efficient system inside this mechanism. And we have to wait for an election.

  Q: Final question, your protagonist Ms Duszejko adores William Blake, is that because you do too?

  A: This piece of land where I used to live in sydizya, there were 3-4 translators of William Blake, so I don’t know why those three guys found themselves this place. Two of them I knew personally, and I thought if Black could come to Poland, he for sure would find something interesting just in my place, so we are very Blakey, eccentric, foggy and blakey.