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Book Description

Here, firmly rooted in her own social setting for the first time, is the real Jane Austen--the shy woman willing to challenge convention, the woman of no pretensions who nevertheless called herself "formidable," a woman who could be frivolous and yet suffer from black depressions, who showed unfailing loyalty and, in the conduct of her own life, unfailing bravery. In an act of understanding and brilliant synthesis, Claire Tomalin reveals Jane Austen with a clarity never before achieved, one which makes us look upon her novels with fresh and even greater admiration.

The world she wrote about--that place of civility and reassuring stability--was never quite her own. As Tomalin shows, Jane Austen's family existed on the very fringe of the world she described in her fiction, struggling to get ahead with little money and no land in the competitive society of Georgian England, sometimes succeeding but often failing with painful consequences. New research in family papers has yielded a rich, tragicomic picture of the Austen clan--their ambitions, their matrimonial alliances, their exotic connections with India and France. At the same time, Tomalin's explorations in local archives reveal a surprising view of the neighbors the family lived among in Hampshire, more extravagant and eccentric by far than anyone depicted in Austen's books. We realize how much closer her genius lies, in its splendid artifice, to the great comic operas of Mozart than to the main tradition of the English novel.

But it is in the deeply human portrait of Jane Austen herself that this biography excels. The honesty and directness of her personality (perfect heroines made her "sick and wicked"), her strength in giving up a chance at marriage to follow the path her vocation as a writer required her to take, the warmth and long consistency of her relationship with her sister, Cassandra, the poignancy of her death--Claire Tomalin here captures, with unforgettable skill, the living character of a great writer who is read, reread, read again, and adored, now more than ever.

Amazon.com

The author of Pride and Prejudice, Persuasion, and other comedies of manners gets a biography similar in tone to her own books: intelligent but not intellectual, witty without being nasty. Claire Tomalin, author of four previous biographies of notable British women, treats Jane Austen (1775-1817) with the respect her genius deserves. Tomalin eschews gossip and speculation in favor of a sober account of the writer's life that nonetheless sparkles with sly humor. Perceptive analyses of each of Austen's novels, with autobiographical links suggested but never insisted upon, add to the value of Jane Austen: A Life.

From The New York Times

In her marvelous new biography of Austen, the English writer Claire Tomalin strips away this mythology to reveal a tough, humorous and highly resourceful woman. She not only depicts a life that was considerably more worldly than commonly supposed, but also delineates an emotional experience "full of events, of distress and even trauma," which permanently shaped Austen's apprehension of the world.... Writing in vivid, authoritative prose, she does a masterly job of delineating the complex emotional mathematics of the Austen clan, showing us the bonds of rivalry, affection and dependence that linked Jane with her sister and six brothers, and their myriad cousins.... Ms. Tomalin has pulled off something very difficult: She has written a biography that reflects Austen's own exacting standards, a book that radiates intelligence, wit and insight.

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　Michiko Kakutani

From Kirkus Reviews

The second major Austen biography of the season expertly places the great novelist in her historical moment, without attempting to fully plumb her psyche. Austen, writes Tomalin (The Invisible Woman: The Story of Nelly Ternan and Charles Dickens, 1991, etc.), ``has a way of sending biographers away feeling that, as Lord David Cecil put it, she remains `as no doubt she would have wished--not an intimate but an acquaintance.' '' Tomalin does indeed fall short of conveying the kind of three-dimensional portrait so painstakingly achieved by David Nokes in his recent Austen biography (p. 1012). She speculates on how the novelist's sojourn with a village wet nurse affected her in infancy, on how she handled heartbreak as an adult, and on the impact of the various family crises that marked her later life--guesswork being of the essence for the Austen biographer, given that most of her correspondence was destroyed by her family after her death. But Tomalin doesn't convince with her tentative explanations of what made Austen tick. Be it somewhat lacking in depth, however, the sketch of the famous author that emerges from Tomalin's unassuming, lucid, and concise account of Austen's family life and of her meteoric rise to fame in her last years does do justice to the integrity of her complex character. Her mobile intelligence and biting humor come across smartly. What's more, Tomalin offers impressive accounts of the evolution and meanings of Austen's novels, and of how she and her works related to their literary antecedents, from Samuel Johnson to the popular novelist Charlotte Smith, and to their historical context of revolution and war. Nice historical detailing--attention, for example, to the expense of the paper on which Austen wrote--adds period flavor. Recommended for those seeking a brief introduction to Austen's life, times, and work; those wishing to burrow deep into the author's consciousness will want to consult Nokes.

From Library Journal

Despite only a few surviving personal papers and letters, no autobiographical notes, and no diaries written by Jane Austen, attempts to piece together the life and personality of the author abound. An experienced biographer, Tomalin makes do by focusing more on the Austen family, acquaintances, and friends than on Austen herself, forthrightly acknowledging, "It is only because of her writing that we think them worth remembering; and yet she is at almost every point harder to summon up than any of them...she is as elusive as a cloud in the night sky." Like David Nokes's recent biography, Jane Austen (LJ 9/1/97), Tomalin's presents an engaging story of the life and times of the Austen family. Although Tomalin's biography is not as detailed as Nokes's, it offers a freshness in its attention to, and compassion regarding the child-rearing practices of the Austens, the physical demands on child-bearing women, and to the portrayal of Austen's will, determination, and energy in her final days. Recommended for literature collections for its perspective and minimal speculations.

　　　　　　　　　　　　　　　　　　　　　　　　　　Jeris Cassel, Rutgers Univ. Libs., New Brunswick, N.J.

From AudioFile

This is a beautifully lucid and balanced biography in which the biographer is not afraid to appear as a personality. The text is always informed by a keen, but never obsessive, awareness of what can and cannot be known about an intensely private and not very well documented individual. Donada Peters would, one senses, read an Austen novel splendidly. Occasional quotations hint at a considerable command of character voices. She is an ideal voice for this biography, which is written with Austen-like clarity and which wears its solid scholarship lightly. Here is an ideal companion to an Austen collection. J.N.

About Author

Claire Tomalin is the author of several prize-winning biographies--of Mary Wollstonecraft; Katherine Mansfield; Dickens's secret mistress, Nelly Ternan; and Dora Jordan, the actress who for twenty years was companion to the future George IV. Educated at Cambridge University, she served as literary editor of the New Statesman and The Sunday Times. Claire Tomalin lives in London and is married to the playwright Michael Frayn.

Book Dimension :

length: (cm)20.2 　　　 　　　　　 　 width:(cm)13.1

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奥斯丁太太和大多数人一样，相信幼儿需要的不外乎合理的清洁，吃饱穿暖，直到他们的智力开始发展。同时代另一位母亲的记述：“想法设法摆脱他们（孩子们）的烦恼，他们此时只如植物，稍后也不过如同动物。”

她的信滔滔不绝，像闹剧里的念词，没有情感、温柔或者悲愁都可以渗透剂来。它们从不停顿、沉思，只一味赶场，尽快地从一个念头转换到另一个念头。

她对军舰上的暴力，对暗中掩护东印度公司的行径，对外国势力的霸道交易一无所知，也无从评论。她看见的，只是一个严肃、敏锐、行为端庄的哥哥，在海上专心一意为国效劳，因此在家中也应当得到欢乐。

在这最后一页的空间里，我必须回归她自身。回到那个孩子：她曾在书籍的避难所中找到一个新世界，比她摸索的现实世界更有意义。回到一个女孩：当她发现自己创作故事的可能之后，她的想象力起航，飞往惊人的方向。

回到一个充满活力、喜欢跳舞、爱说笑话的年轻姑娘，她也曾梦想有个丈夫，虽然她已决定将全部心力投入写作。

回到一个二十五岁的少妇，她对人失望，对写作失去兴趣，曾梦想有个舒适的婚姻，即使没有爱情，但她终于还是放弃了这个念头。

回到一个富有爱心的姐妹和姑姑，她一心顾念家人，纵然有时也盼望独自一人的安宁，供她思考和创作。

回到一个女人，她与女家庭教师为友，关心仆人。

回到一个作家，她成就辉煌，技艺高超。而在垂死的边缘，她鼓起勇气，通过写作，直面死亡，与之搏击。

回归人，她宁愿沉默，也不愿对心爱之人的言行作任何批判，而对他人的言语，她笔之于书，一读再读。

这便是我心目中最喜爱的奥斯丁形象，对全世界的意见付之一笑。幸运的是，她拥有那么多的笑端。如今，关于她的评论浩如烟海，足够她永远取笑。

书籍介绍

在线阅读本书

Book Description

Here, firmly rooted in her own social setting for the first time, is the real Jane Austen--the shy woman willing to challenge convention, the woman of no pretensions who nevertheless called herself "formidable," a woman who could be frivolous and yet suffer from black depressions, who showed unfailing loyalty and, in the conduct of her own life, unfailing bravery. In an act of understanding and brilliant synthesis, Claire Tomalin reveals Jane Austen with a clarity never before achieved, one which makes us look upon her novels with fresh and even greater admiration.

The world she wrote about--that place of civility and reassuring stability--was never quite her own. As Tomalin shows, Jane Austen's family existed on the very fringe of the world she described in her fiction, struggling to get ahead with little money and no land in the competitive society of Georgian England, sometimes succeeding but often failing with painful consequences. New research in family papers has yielded a rich, tragicomic picture of the Austen clan--their ambitions, their matrimonial alliances, their exotic connections with India and France. At the same time, Tomalin's explorations in local archives reveal a surprising view of the neighbors the family lived among in Hampshire, more extravagant and eccentric by far than anyone depicted in Austen's books. We realize how much closer her genius lies, in its splendid artifice, to the great comic operas of Mozart than to the main tradition of the English novel.

But it is in the deeply human portrait of Jane Austen herself that this biography excels. The honesty and directness of her personality (perfect heroines made her "sick and wicked"), her strength in giving up a chance at marriage to follow the path her vocation as a writer required her to take, the warmth and long consistency of her relationship with her sister, Cassandra, the poignancy of her death--Claire Tomalin here captures, with unforgettable skill, the living character of a great writer who is read, reread, read again, and adored, now more than ever.

Amazon.com

The author of Pride and Prejudice, Persuasion, and other comedies of manners gets a biography similar in tone to her own books: intelligent but not intellectual, witty without being nasty. Claire Tomalin, author of four previous biographies of notable British women, treats Jane Austen (1775-1817) with the respect her genius deserves. Tomalin eschews gossip and speculation in favor of a sober account of the writer's life that nonetheless sparkles with sly humor. Perceptive analyses of each of Austen's novels, with autobiographical links suggested but never insisted upon, add to the value of Jane Austen: A Life.

From The New York Times

In her marvelous new biography of Austen, the English writer Claire Tomalin strips away this mythology to reveal a tough, humorous and highly resourceful woman. She not only depicts a life that was considerably more worldly than commonly supposed, but also delineates an emotional experience "full of events, of distress and even trauma," which permanently shaped Austen's apprehension of the world.... Writing in vivid, authoritative prose, she does a masterly job of delineating the complex emotional mathematics of the Austen clan, showing us the bonds of rivalry, affection and dependence that linked Jane with her sister and six brothers, and their myriad cousins.... Ms. Tomalin has pulled off something very difficult: She has written a biography that reflects Austen's own exacting standards, a book that radiates intelligence, wit and insight.

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　Michiko Kakutani

From Kirkus Reviews

The second major Austen biography of the season expertly places the great novelist in her historical moment, without attempting to fully plumb her psyche. Austen, writes Tomalin (The Invisible Woman: The Story of Nelly Ternan and Charles Dickens, 1991, etc.), ``has a way of sending biographers away feeling that, as Lord David Cecil put it, she remains `as no doubt she would have wished--not an intimate but an acquaintance.' '' Tomalin does indeed fall short of conveying the kind of three-dimensional portrait so painstakingly achieved by David Nokes in his recent Austen biography (p. 1012). She speculates on how the novelist's sojourn with a village wet nurse affected her in infancy, on how she handled heartbreak as an adult, and on the impact of the various family crises that marked her later life--guesswork being of the essence for the Austen biographer, given that most of her correspondence was destroyed by her family after her death. But Tomalin doesn't convince with her tentative explanations of what made Austen tick. Be it somewhat lacking in depth, however, the sketch of the famous author that emerges from Tomalin's unassuming, lucid, and concise account of Austen's family life and of her meteoric rise to fame in her last years does do justice to the integrity of her complex character. Her mobile intelligence and biting humor come across smartly. What's more, Tomalin offers impressive accounts of the evolution and meanings of Austen's novels, and of how she and her works related to their literary antecedents, from Samuel Johnson to the popular novelist Charlotte Smith, and to their historical context of revolution and war. Nice historical detailing--attention, for example, to the expense of the paper on which Austen wrote--adds period flavor. Recommended for those seeking a brief introduction to Austen's life, times, and work; those wishing to burrow deep into the author's consciousness will want to consult Nokes.

From Library Journal

Despite only a few surviving personal papers and letters, no autobiographical notes, and no diaries written by Jane Austen, attempts to piece together the life and personality of the author abound. An experienced biographer, Tomalin makes do by focusing more on the Austen family, acquaintances, and friends than on Austen herself, forthrightly acknowledging, "It is only because of her writing that we think them worth remembering; and yet she is at almost every point harder to summon up than any of them...she is as elusive as a cloud in the night sky." Like David Nokes's recent biography, Jane Austen (LJ 9/1/97), Tomalin's presents an engaging story of the life and times of the Austen family. Although Tomalin's biography is not as detailed as Nokes's, it offers a freshness in its attention to, and compassion regarding the child-rearing practices of the Austens, the physical demands on child-bearing women, and to the portrayal of Austen's will, determination, and energy in her final days. Recommended for literature collections for its perspective and minimal speculations.

　　　　　　　　　　　　　　　　　　　　　　　　　　Jeris Cassel, Rutgers Univ. Libs., New Brunswick, N.J.

From AudioFile

This is a beautifully lucid and balanced biography in which the biographer is not afraid to appear as a personality. The text is always informed by a keen, but never obsessive, awareness of what can and cannot be known about an intensely private and not very well documented individual. Donada Peters would, one senses, read an Austen novel splendidly. Occasional quotations hint at a considerable command of character voices. She is an ideal voice for this biography, which is written with Austen-like clarity and which wears its solid scholarship lightly. Here is an ideal companion to an Austen collection. J.N.

About Author

Claire Tomalin is the author of several prize-winning biographies--of Mary Wollstonecraft; Katherine Mansfield; Dickens's secret mistress, Nelly Ternan; and Dora Jordan, the actress who for twenty years was companion to the future George IV. Educated at Cambridge University, she served as literary editor of the New Statesman and The Sunday Times. Claire Tomalin lives in London and is married to the playwright Michael Frayn.

Book Dimension :

length: (cm)20.2 　　　 　　　　　 　 width:(cm)13.1

• 作者：张多萸 发布时间：2016-10-08 16:41:56

  葫芦镇的故事还挺好玩

• 作者：[已注销] 发布时间：2011-11-13 20:23:39

  毫无疑问的五星……

• 作者：malingcat 发布时间：2012-09-13 16:00:58

  经典。编辑配图印刷选纸，都很赞。

• 作者：潜入深水的鬼魂 发布时间：2013-09-17 23:43:56

  some of the points Tomalin makes feels a bit far-fetched, but overall they are quite interesting... and why does she hate Emma Woodhouse so?!

• 作者：陶小棉花 发布时间：2007-12-16 17:35:43

  人民行动党研究比较专业的一本书。呃。我觉得李光耀没有成为个人崇拜疯狂的对象好奇怪。

• 作者：丁丁虫 发布时间：2023-05-31 16:59:36

  我曾经认为以数理逻辑为主题的科幻很少见，就算有也未必精彩，结果被格雷格·伊根狠狠打了脸。建立在数理基础上的哲学思考读来十分过瘾，正是那种硬核科幻迷最爱的故事。另外作为九十年代的小说集，这本选集充分显示了天才是超越时代的。

• “伟大的灵魂居于渺小的躯体”

  作者：Wild Child 发布时间：2020-07-27 01:18:00

  当纳博科夫准备在康奈尔大学开设欧洲文学课时，他写信给批评家埃德蒙·威尔逊征求意见。威尔逊回信说：“关于英国小说家，有两位无可比拟的最伟大的小说家是狄更斯和简·奥斯丁......简·奥斯丁的作品值得全部重读一遍——即便她的小作品也是出色的。”

  纳博科夫回信道：“我不喜欢简，怎么也看不出《傲慢与偏见》有什么意义。”

  威尔逊反驳道：“你对简·奥斯丁的看法是错误的。我看你应该读《曼斯菲尔德庄园》，我认为她是六位最伟大的英国作家之一（其他五位是莎士比亚、弥尔顿、斯威夫特、济慈和狄更斯）。”

  对此，纳博科夫回应道：“我已经搞到一本《曼斯菲尔德庄园》，我想我会在我的课上用它。”

  后来，在纳博科夫的文学课上，《曼斯菲尔德庄园》与简·奥斯丁成了第一课。作品本身是纳博科夫要重点分析细节和文体的文本。对于纳博科夫这样一个苛求文体本身的艺术感的评论家来说，能够对简·奥斯丁给予如此细致且放大的关注，足以说明奥斯丁在文本艺术上所达到的高度。她远非某些人认为的“平庸、琐碎“ ，更不是“缺乏想象力”。因为她的文学世界本身是生气盎然的，是最伟大的那类小说家依凭天赋在想象中构造出的艺术世界。所以她的作品才值得读者反复玩味，不断调动感官去体验细节的流动，去感受她作品中哪怕轻轻掠过的一缕风。

  简·奥斯丁在世时取得了一定的声名：《傲慢与偏见》和《理智与情感》广受欢迎。虽然《曼斯菲尔德庄园》似乎未能延续她的作品在当时读者心中的“可读性”，但她依然引起了摄政王的注意，甚至“被邀请”（实际算是命令）在《爱玛》的扉页题献给摄政王。沃尔特·司各特在她还在世时虽然只泛泛褒扬过她，但在她逝世十年后给出了很高也很准确的评价：“（奥斯丁）有一种天才，擅于描写日常生活中的事件、情感和人物。这是我所遇到的最奇妙的才能。”在当时，她不是那种拥有大量读者的作家，即便十九世纪中叶，欣赏她的也只是“有教养的小众”，这其中就包括维多利亚时代最伟大的一位作家：乔治·艾略特。直到二十世纪，各种影视作品不断挖掘奥斯丁所留下的文学宝藏，使得奥斯丁不断被世人重读，她作品的经典性也愈发光亮。

  但奥斯丁本人究竟是什么样的？从作家的作品中当然可以看到作家的影子，但妄图推断作家的形象几无可能，尤其是奥斯丁这种在叙事艺术上登峰造极的作家。从作品中，我们能知道的是奥斯丁是个讽刺的高手，她作品中的幽默与讽刺只可能源于她本人的个性，而这远远不能满足读者对她生平的好奇。她姐姐卡桑德拉晚年烧毁了大部分简·奥斯丁的手稿信件，剩下的一些后来又被她侄女范妮销毁。想要追溯她两百年前的生活非常艰难。《简·奥斯丁肖像》的作者塞西尔勋爵也承认，奥斯丁给人的感觉：“她像熟人，而非密友。”这也正是阅读这本《简·奥斯丁传》的感受。

  简·奥斯丁生活的年代虽然离我们很远，但通过各类当时的文献可以大致推断出她的生活环境和社会环境并用文字加以描绘。本书作者克莱尔·托玛琳在第一章《一七七五年》就做得非常出色，她通过难以想象的广泛的阅读和调查还原出了简·奥斯丁出生那天以及随之而来的冬季的场景，笔触准确细致，对整个冬季的描写令人赞叹。然而奥斯丁家族的庞杂随即占据了大量篇幅，作者巨细靡遗地描绘了这些家族成员或邻居或好友的肖像，对卡桑德拉和伊莱扎的描写甚至比简本人还要生动，而简依然是“忽隐忽现，有如夜空里的一片云。”这一方面是有关她的文献资料的缺失，另一方面，也可能是简·奥斯丁本人有意布下迷雾。她对物质生活没有过多渴望，对自己也没有渴求，不想成为伟大作家的一员，也不想拥有自己的一间屋子。保存下来的文献中，她给人最多的感觉是擅于讽刺且温和。又或许，她如伍尔夫所形容的：“出生伊始，就有仙女带她巡游了全世界，当她再躺进摇篮，她不仅已经明白世界是什么样子，而且连自己一生活动的范围也选定了，只要能牢牢地控制着这个领域，她别无所求。”这样的人，仿佛是那种“伟大的灵魂居于渺小的躯体”，躯体生存的轨迹看起来就不那么耀眼夺目了。

  少有伟大出名的作家像简·奥斯丁这样留给世人的形象如此模糊，叙写她的一生自然就成了难以完成的繁杂工作。托玛琳几次不得不单独将一些问题从叙事主体中拿出来讨论，这在一般的传记作品中并不常见，多少破坏了传记应该具有的整体性和连贯性，也打破了传主生平所能赋予读者的故事感。虽然对于勾勒出简·奥斯丁本人的形象，这本传记未必有多大的贡献，但对于奥斯丁文学世界的本源，这本传记还是进行了详实的描绘。有心又耐心的读者自然会从这原本的世界中瞥见构筑奥斯丁文学世界的吉光片羽，从众多纷杂的人物中嗅到几个人的个性曾闪现在远比他们真实的角色身上。

  至于简·奥斯丁临终前的疾病，本书给出了两种可能，一种是比较罕见的原发性肾上腺皮质功能减退（也就是爱迪生病，是结核杆菌随血液扩散，影响了肾上腺皮质功能）。另一种就是淋巴癌。作者倾向于是淋巴癌。如此可知，奥斯丁弥留之际，甚至她发病开始，就要承受巨大的痛苦。奥斯丁过世时，留了两笔钱，一笔给了哥哥亨利帮他还债，另一笔给了看顾她表姐（也是嫂子）伊莱扎的比容夫人。她关心被忽视的人，她克己而善良，这些都是她那讥诮锋利的讽刺所不能掩盖的。而传记本身精彩的描写，足以将史蒂文顿的奥斯丁一家这几个孩子演出戏剧的场景投射到书的结尾，希望每一位读者都能看到，也能如同：“八岁的简·奥斯丁，在台下瞪大了眼睛。”

  研究简奥斯丁的论文浩如烟海，她的作品改编成的影视作品不计其数。但直接描写她本人的作品却并不多。最出名的影视作品大概是那部《成为简·奥斯丁》，但安妮·海瑟薇呈现出的简可能太过温和漂亮，与汤姆的感情冲突也太像简的小说。有关她的传记作品，以她过世的时间和她的声名来衡量，少得可怜。有关她的纪录片更是凤毛麟角。虽然多少有些遗憾，但简·奥斯丁在她读者心目中的形象将难以被动摇，这未尝不是件好事。

  托玛琳的笔调学术性浓厚，但文字本身叙事功力极强。虽然奥斯丁家族的庞大多少造成了叙事的杂乱，可托玛琳依然能将众多人物描绘得活灵活现。她之前写作玛丽·沃尔斯通克拉夫特和凯瑟琳·曼斯菲尔德的传记让她拥有了一种对女性作家生平想象的独特视角。而她深厚的学术功底和孜孜不倦的调查也让这本传记相较于不多的有关奥斯丁的传记中最为全面客观深入。中文版本收入的图片资料比英文原版还多一些，有些图片资料颇为难得。

  译者周春塘先生是英国威尔士大学汉学院院长，著名教育家周邦道之子，曾是台大的风云人物，晚年多浸淫佛学，在国学上造诣深厚。所以周先生的译文多少沾染些当时的文气，读来异于一般的翻译作品。周春塘先生已于三年前过世。

  其它：

  

  乔顿村舍：简·奥斯丁博物馆

  简·奥斯丁的姐姐卡桑德拉过世后，乔顿村社改为出租房，直到1940年多萝西·达内尔小姐创办简·奥斯丁协会，与另外两位研究简·奥斯丁的学者伊丽莎白·詹金斯和R. W. 查普曼一起努力，几经波折改为简·奥斯丁纪念馆。

  “这一切的实现不是靠有权有势的机构，而是由达内尔小姐发起，并得到与她相伴一生的姐姐贝娅特里奇的协助和鼓励。这似乎再合适不过。”

  目前，因为新冠肺炎的冲击，这座博物馆可能于年底永久关闭......

• 为什么是简•奥斯丁？

  作者：ly的读享生活 发布时间：2020-07-13 09:25:07