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• 作者：Ancora*山妮 发布时间：2009-10-25 15:50:24

  脉络清晰，故宫古老的报警器石别拉即是从此书中得知，庆幸为2003年1版1印

• 作者：may 发布时间：2015-04-20 16:31:04

  这是一本对精神分析得有些了解才能读下去的书，要不还真有些晦涩呢，但有了一些了解后，用它来串联精神分析的发展，对形成精神分析的体系是很有好处的，所以读这一本书，需要是合适的时机才有比较好的收效。

• 作者：February 发布时间：2023-08-05 19:22:21

  能说吗 只读雪国我或许会打八分 景色描写很美 不适感也没那么强 可是一口气读了六个 全是男人意淫的故事....

• 作者：JUSTIN-LIU 发布时间：2016-11-12 10:05:37

  历经14个国家394个组织813人2169小时的采访，钦佩之情油然而生；西口先生缜密严谨的逻辑与写作手法客观地展现日本中小企业的发展历程，以及通过大量的定量分析发包与下包企业，日本本土与美国，欧洲在汽车和电子产业方面的各项数据对比，来解释日本中小企业本土的外包演化历程。

• 作者：白白 发布时间：2017-12-11 23:04:12

  没有第一部那么惊艳。尾鱼的书先看的是怨气撞铃，更喜欢撞铃里的男主岳峰，而不是这里的罗韧，总觉得罗韧段数太高、一直拿捏着他俩的感情。而且凶简里的人物特色不是很明确，木代的不同人格、配角的性格，都没有很明显的分界，主人格和小口袋有什么区别吗？真心看不出来。升级打怪的小说结构其实也快烂大街了，但作者的文笔功力与对生活的态度撑起了这部小说，再出三四五的话应该也还是会看下去的

• 作者：Timo 发布时间：2013-05-06 11:56:57

  神书！必读！

• 《守夜》大陆版阉割的片段

  作者：鹿鸣之什 发布时间：2011-03-13 01:35:04

  在第418页倒数第二段和最后一段之间：

  （此为倒数第二段）They held each other's gaze, in silence; then moved together and kissed. Helen was still not quite used to the difference between Julia's kisses, and Kay's-to the relative strangeness of Julia's mouth, the softness of it, the dry pull of her lipstick, the tentative pressures of her tongue. But the strangeness was exciting. The kiss, being inexact, quickly became wet. They moved closer together. Julia put her fingers to Helen's bare breast-touched, then drew the fingers back; touched again, drew back again-and again-until Helen felt her flesh seem to rise, to strain after Julia's hand.

  They let themselves sink back, awkwardly, on to the bunched-up blankets. Julia moved her hand between Helen's legs and, 'Christ!' she said softly. 'You're so wet. I can't- I can't feel you.'

  'Put your fingers inside me!' whispered Helen. 'Push inside me, Julia!'

  Julia pushed. Helen lifted her hips, to meet the movement with a movement of her own. Her breath caught. 'Do you feel me now?'

  'Yes, now I feel you,' said Julia. 'I can feel you gripping me. It's amazing-'

  She had what must have been her four fingers inside Helen, up to the knuckle; but her thumb, outside, was rubbing at Helen's swollen flesh. Helen raised and lowered her hips, to keep pushing against her. The blankets were rough against her bare back, and as well as the pressure between her legs she could feel Julia's dry, trousered thigh bearing down on her own naked, damp one; she could make out separate points of discomfort-the chafing against her of the buckle of Julia's belt, the buttons on her blouse, the strap of her wristwatch… She stretched out her hands behind her head, wishing with some part of herself that Julia had bound her, fastened her down: she wanted to give herself up to Julia, have Julia cover her with bruises and marks. Julia began to push almost painfully inside her, and she liked it. She was aware of herself growing rigid, as if really pulled by tightening ropes.

  She lifted her head and put her mouth to Julia's again, and when she started to cry out, she cried into Julia's mouth and against her lips and cheek.

  'Shush!' said Julia, even as she still pushed frantically at her. She was thinking of the people in the neighbouring flats. 'Shush, Helen! Shush!'

  'I'm sorry,' said Helen breathlessly; and cried out again.

  It wasn't like their leisurely lovemaking from before. Afterwards Helen lay shaken, chastened, as if from an argument. When she stood, she found she was trembling. She went to the mirror: she had Julia's lipstick all around her mouth, and her lips were swollen as though she'd been hit. Then she moved into the firelight and saw that her thighs and breasts were marked, as if with rashes, from the rubbing of Julia's clothes. It was what she'd wanted, while Julia was pushing at her; now the marks upset her, absurdly. She moved blindly about the room, picking things up, putting them down-feeling the gathering inside her of a sort of hysteria.

  Julia had gone through to the kitchen to wash her hands and mouth. When she came back, Helen stood before her and said unsteadily, 'Look at the state of me, Julia! How the hell will I hide this from Kay?'

  Julia frowned. 'What's the matter with you? Keep your voice down, can't you?'

  The words were like a slap. Helen sat, and put her head in her hands.

  （此为最后一段）'What have you done to me, Julia?' she said at last, still shakily. 'What have you done? I don't know myself. I used to loathe the sort of people who did the kind of thing we're doing. I used to think they must be cruel, or careless, or cowardly. But I don't want to be cruel to Kay. It seems to me I'm doing this, because I care too much!-too much, I mean, for her, and for you. Can that be true, Julia?'

• 非常精彩的一本启发之作

  作者：萌橦在读书 发布时间：2024-04-29 23:34:12

  希区柯克在1927年执导的电影《房客》，是根据1888年英国“开膛手杰克”的真实历史案件为基础改编的。而这部电影的原作小说，则是由英国女作家玛丽·贝洛克·朗兹创作的。

  这本书可能是史上第 一本以“开膛手杰克”为原型的推理小说。不过实际读下来，书中的推理成分并不多，这更像是一本心理、悬疑小说。

  本书语言简练流畅，非常易读，作者对于情节和细节的设计也非常精巧。

  比如书籍开篇，邦汀夫妇的生活正处于“经济危 机”中，在潮湿寒冷的季节，根本就不会有房客上门来求租，家里马上就要揭不开锅了。

  然而时机非常巧妙地，来了一位有些古怪的房客——他的言行举止很绅士，但性格却让人觉得有些神经过敏。他为了不被别人打扰，租下两层房间。这也让邦汀太太对他好感倍增：房子都租出去了，却只给一个人服务就行。

  整本书百分之九十的舞台，就在这所房子里，一切外来的消息，都是通过警探乔和邦汀先生买的报纸得知的。此时的伦敦，不仅笼罩在寒冷的浓雾中，更加笼罩在连环杀 人 案的恐慌中。人们不敢外出，生怕下一个遇害的就是自己。

  凶手迟迟不落网，这也让警方头痛不已。我不知道作者是不是故意为之，书中呈现的警方，就像一群过家家的小孩，大有完不成作业就把作业本扔了的趋势。他们祈祷着凶手跑到大城市去，这样压力就会转移，他们也不用成天提心吊胆了。

  还有一个有意思的地方，就是邦汀太太和邦汀先生对于古怪房客的怀疑，像两条细细的线索慢慢交织一样。起先，是因为邦汀太太常常和房客接触，她敏锐察觉到房客经常半夜外出，而在他外出的第二天，报纸上就会刊登一些女人遇害的消息。

  邦汀太太开始害怕，神经紧绷，但她又不想去怀疑这位给她的家庭雪中送炭的善良房客。那一天，邦汀太太甚至去旁听了庭审。当看到那些被害者家属可怜的面庞时，她对凶手的怜悯也荡然无存，内心陷入激烈的挣扎。

  另一边，邦汀先生有一晚在工作回家的途中，正好遇到了房客，擦身而过的同时，他触到了一种湿湿黏黏的东西。房客解释说，这可能是在一个长凳上死去的动物的血。然而第二天，报纸上就刊登了一位在长凳上遇害的女士。

  邦汀先生也对房客的身份彻底产生了怀疑。至此，也到了故事即将结束的时刻。

  ——

  本书的结局，就像真实的“开膛手杰克”案一样没有结局。没抓到凶手，也没人知道这些案件背后的原因。

  不过作者为邦汀家安排了美满结局，而且，即便这样看来，本书的情节很简单，但如果不是实际去读过，依然还是无法感受到作者语言的魅力。

  这是一本不怕被剧透的书，因为读者对于结局的渴望，仅仅是这本书一个小小的魅力，去体会一本书如何启发了希区柯克和后来的同类题材作品，才是这本书的精彩所在。